Studies in Symbolic Interaction
by Denzin, Norman K.; Schneider, Christopher J.; Gardner, Robert Owen; Merrill, John Bryce; Han, DongFormat: Hardcover
Pub. Date: 2010-10-11
Publisher(s): Emerald Group Pub Ltd
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Summary
The essays in this bi-annual series consist of original research and theory within the general sociological perspective known as symbolic interactionism. Longer than conventional journal-length articles, the essays wed mico and macro concerns within a qualitative, ethnographic, autoethnographic and performance studies orientation. International in scope, the series draws upon the work of urban ethnographers, interpretive, constructionist, ethnomethodological, critical race, postcolonial, feminist, queer, and cultural studies traditions.
Table of Contents
| List of Contributors | p. ix |
| Interactionist Takes on Popular Music | |
| Introduction: The Impact of Popular Music on Symbolic Interaction | p. 3 |
| Introduction: Music and Identity | p. 7 |
| The Group Ethic in the Improvising Jazz Ensemble: A Symbolic Interactionist Analysis of Music, Identity, and Social Context | p. 11 |
| Established Latino Music Scenes: Sense of Place and the Challenge of Authenticity | p. 29 |
| Authenticating Identity Work: Accounts of Underground Country Musicians | p. 51 |
| Introduction: Spaces of Musical Interaction: Scenes, Subcultures, and Communities | p. 71 |
| Brutal Belonging in Melbourne's Grindcore Scene | p. 79 |
| Musical Genre as a Gendered Process: Authenticity in Extreme Metal | p. 101 |
| Digging a River Downstream: Producing Emergence in Music | p. 123 |
| Teaching the Art of Playing with Career-Coupling Relationships in the Virtuoso World | p. 147 |
| Introduction: Music in (Inter)Action | p. 175 |
| Noise in Action: The Sonic (DE)Construction of Art Worlds | p. 179 |
| Driving to the Beat of One's Own Hum: Automobility and Musical Listening | p. 201 |
| Music, Symbolic Interaction, and Study Abroad | p. 223 |
| New Interpretive Works | |
| Grandmamma, What Great Ears You Have! (Cross-Generational Musical Interaction and the Discovery of Silence) | p. 243 |
| Becoming "Yellow" | p. 271 |
| Subculture and Myth: The Case of Robert Johnson in the 1920S-1930S US South | p. 285 |
| Leroy and Me | p. 309 |
| Competing with Her Mother-in-Law: The Intersection of Control Management and Emotion Management in Sport Families | p. 319 |
| The Futureless Past | p. 345 |
| G. H. Mead's Intimations of Dialogue and Narrative in Social Becoming with Others | p. 357 |
| Table of Contents provided by Ingram. All Rights Reserved. |
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