Preface |
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ix | |
PART ONE PREPARATION FOR VISUAL CREATIVITY |
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1 | (52) |
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Creative Thinking: Getting ``Out of the Box'' |
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3 | (14) |
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It Begins with Creativity |
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4 | (1) |
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The Creative Process in Visual Merchandising |
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4 | (1) |
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4 | (1) |
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O'Brien's View of Creative Problem Solving |
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5 | (1) |
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Bell's Approach: Look, Compare, Improve |
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6 | (1) |
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7 | (1) |
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Best Practices and Practical Applications |
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8 | (1) |
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A One-of-a-Kind Creative Merchandiser |
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9 | (1) |
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Additional Creative Resources |
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10 | (1) |
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Guidelines for Implementing Ideas on the Job |
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11 | (2) |
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Building and Sustaining a Creative Work Environment |
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13 | (4) |
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What Is Visual Merchandising? |
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17 | (14) |
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Visual Merchandising Supports Sales |
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18 | (1) |
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Visual Merchandising Supports Retail Strategies |
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18 | (1) |
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Visual Merchandising Communicates with Customers |
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19 | (1) |
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Visual Merchandising Communicates Retail Image |
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20 | (1) |
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Shopping Is a Form of Communication |
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21 | (1) |
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How Do Customers Process Visual Merchandising Messages? |
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22 | (1) |
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Information Processing in a Visual Merchandising Strategy |
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23 | (1) |
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Visual Merchandising Supports Selling |
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24 | (1) |
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How Does Visual Merchandising Support Retailing Trends? |
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25 | (6) |
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31 | (22) |
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The Visual Merchandiser Is a Design Strategist |
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32 | (1) |
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Atmospherics as a Merchandising Strategy |
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32 | (1) |
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Design Elements and Principles |
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33 | (1) |
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Color as a Merchandising Stategy |
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34 | (4) |
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35 | (1) |
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Color as a Communication Tool |
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35 | (1) |
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36 | (1) |
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Color as a Fashion Merchandising Strategy |
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37 | (1) |
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The How-to of Color Coordination |
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37 | (1) |
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37 | (1) |
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Balance as a Merchandising Strategy |
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38 | (1) |
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Rhythm as a Merchandising Strategy |
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39 | (4) |
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Proportion as a Merchandising Strategy |
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43 | (1) |
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Texture as a Merchandising Strategy |
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44 | (1) |
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Harmony as a Merchandising Strategy |
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45 | (1) |
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Emphasis as a Merchandising Strategy |
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45 | (8) |
PART TWO PRACTICES AND STRATEGIES FOR THE SELLING FLOOR |
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53 | (124) |
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Layout and Fixtures for Fashion Apparel |
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55 | (48) |
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Creating Retail Atmosphere |
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56 | (1) |
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56 | (2) |
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58 | (12) |
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Guidelines for Universal Access |
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60 | (4) |
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Layouts within Selling Departments |
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64 | (4) |
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Merchandise Placement Guidelines |
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68 | (1) |
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69 | (1) |
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70 | (1) |
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Capacity, Feature, and Signature Fixtures |
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70 | (1) |
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Conventional Metal Floor Fixtures |
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71 | (7) |
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71 | (4) |
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75 | (1) |
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75 | (1) |
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76 | (2) |
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Conventional Floor Feature Fixtures |
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78 | (1) |
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Conventional Wall Capacity Fixtures |
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79 | (3) |
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Garment Rods and Crossbars |
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79 | (1) |
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80 | (1) |
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80 | (1) |
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80 | (2) |
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Conventional Wall Feature Fixtures |
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82 | (1) |
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82 | (1) |
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82 | (1) |
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Furniture Fixtures and Antiques |
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83 | (1) |
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84 | (1) |
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``Found'' Objects as Fixtures |
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85 | (1) |
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Vendor Fixtures and Shops |
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85 | (1) |
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85 | (3) |
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88 | (1) |
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Fixturing the Accessory Department |
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88 | (4) |
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Accessory Showcase Presentation |
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92 | (3) |
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Open-Sell Accessory Fixtures |
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93 | (2) |
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Specialized Accessory Fixtures |
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95 | (8) |
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Fashion Apparel Wall Setups |
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103 | (30) |
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Walls as Retail Selling Tools |
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104 | (1) |
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104 | (1) |
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105 | (1) |
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The Visual Merchandising Tool Kit |
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105 | (8) |
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105 | (1) |
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Decorative Lighting Fixtures |
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106 | (1) |
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Lighting Techniques for Walls |
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107 | (1) |
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Selecting Fixtures for Wall Presentations |
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108 | (1) |
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Selecting Merchandise for Wall Presentations |
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108 | (2) |
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Using Balance in Wall Presentations |
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110 | (1) |
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Signing and Graphics in Wall Presentations |
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111 | (1) |
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Manequins and Mannequin Alternatives in Wall Presentations |
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112 | (1) |
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Visual Merchandising Props in Wall Presentations |
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113 | (1) |
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Guidelines for Wall Setups |
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113 | (9) |
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Folding Techniques for Shelved Products |
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117 | (5) |
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122 | (1) |
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123 | (2) |
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125 | (8) |
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Fashion Apparel and Accessory Coordination |
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133 | (13) |
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Selecting Merchandise for Display |
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134 | (1) |
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135 | (1) |
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Coordinating by Fabrication |
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136 | (1) |
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136 | (1) |
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136 | (1) |
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137 | (1) |
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Coordinating Patterned Pieces |
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137 | (1) |
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138 | (1) |
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138 | (1) |
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Dressing a Coordinate Display Hanger |
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139 | (1) |
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140 | (5) |
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Home Fashion Presentation |
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145 | (1) |
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146 | (31) |
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146 | (3) |
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149 | (1) |
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150 | (2) |
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152 | (1) |
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Furniture and Found Fixtures |
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153 | (2) |
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155 | (2) |
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157 | (2) |
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Successful Presentation Strategies for Walls |
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157 | (2) |
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159 | (2) |
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Home Fashion Dispay Techniques |
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161 | (4) |
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161 | (1) |
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162 | (1) |
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Basic Display Construction for Tabletops and Display Shelves |
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162 | (2) |
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164 | (1) |
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165 | (12) |
PART THREE COMMUNICATING RETAIL ATMOSPHERICS |
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177 | (36) |
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179 | (20) |
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Communication through Signing |
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180 | (6) |
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Communication Brand Identity |
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180 | (1) |
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Communication through Operational Signing |
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180 | (1) |
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Communication through Signing Media |
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181 | (3) |
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184 | (2) |
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186 | (3) |
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187 | (2) |
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189 | (1) |
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189 | (6) |
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190 | (1) |
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190 | (1) |
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191 | (1) |
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192 | (3) |
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195 | (1) |
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195 | (4) |
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199 | (14) |
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Lighting Defines Store Brand Identity |
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200 | (1) |
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200 | (1) |
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201 | (1) |
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202 | (2) |
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Combined Lighting Systems |
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203 | (1) |
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Lighting Windows and Editorial Displays |
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204 | (1) |
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Priority Lighting Checklist |
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205 | (1) |
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General Guidelines for Lighting |
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205 | (3) |
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208 | (5) |
PART FOUR VISUAL PRACTICES FOR NONTRADITIONAL VENUES |
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213 | (52) |
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Grocery and Food Service Stores |
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215 | (28) |
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216 | (3) |
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219 | (1) |
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219 | (4) |
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220 | (1) |
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220 | (1) |
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Internet Convenience Shopping |
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221 | (1) |
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221 | (1) |
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221 | (1) |
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221 | (1) |
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222 | (1) |
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223 | (1) |
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Types of Grocery and Food Service Stores |
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223 | (2) |
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Traditional/Conventional Supermarkets |
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223 | (1) |
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223 | (1) |
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224 | (1) |
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224 | (1) |
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Membership/Wholesale Clubs |
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224 | (1) |
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224 | (1) |
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224 | (1) |
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224 | (1) |
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224 | (1) |
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Store Layout and Fixtures |
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225 | (5) |
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226 | (1) |
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226 | (1) |
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226 | (2) |
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228 | (1) |
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229 | (1) |
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The Visual Merchandiser's Role |
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230 | (4) |
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230 | (1) |
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Grocery and Food Prduct Presentation |
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231 | (1) |
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Grocery Shelves and Endcaps |
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232 | (1) |
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Cross-Merchandising Tabletop Displays |
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233 | (1) |
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234 | (9) |
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234 | (1) |
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235 | (1) |
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Magazines, Books, and Television |
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235 | (8) |
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243 | (22) |
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244 | (1) |
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244 | (6) |
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244 | (1) |
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245 | (1) |
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Miniature Interactive Kiosks |
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246 | (3) |
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249 | (1) |
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Presenting Merchandise in Kiosks |
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249 | (1) |
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Internet Retailing (E-tailing) |
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250 | (4) |
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Presenting Images for the Camera |
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251 | (2) |
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Presenting Images On-Screen |
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253 | (1) |
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254 | (11) |
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255 | (10) |
PART FIVE TOOLS AND TECHNIQUES FOR MERCHANDISE DISPLAY |
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265 | (76) |
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The Magic of the Display Window |
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267 | (22) |
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268 | (1) |
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Architectural Window Styles |
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268 | (4) |
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269 | (2) |
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271 | (1) |
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Window Display in Practice |
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272 | (2) |
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Window Merchandising Functions |
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272 | (2) |
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Nonmerchandising Window Functions |
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274 | (1) |
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274 | (1) |
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Fantasy-to-Reality Theory |
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274 | (1) |
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275 | (1) |
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The Mechanics of Window Magic |
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276 | (8) |
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Techniques for Positioning Mannequins in Windows |
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277 | (2) |
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279 | (1) |
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Tips for Propping Windows |
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279 | (1) |
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Techniques for Buildups in Windows |
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280 | (1) |
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280 | (3) |
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Techniques for Ledges and Display Cases |
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283 | (1) |
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284 | (1) |
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284 | (5) |
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Mannequins and Mannequin Alternatives |
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289 | (30) |
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Communicating Self-Image and Fashion Image |
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290 | (3) |
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290 | (3) |
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293 | (3) |
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293 | (1) |
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293 | (3) |
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296 | (1) |
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296 | (1) |
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Choosing and Buying Mannequins |
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296 | (23) |
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296 | (1) |
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Designing and Manufacturing Mannequins |
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297 | (1) |
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Matching Mannequins to Images |
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298 | (5) |
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303 | (2) |
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305 | (1) |
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Receiving and Unpacking Mannequins |
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305 | (1) |
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Learning Sizes of Mannequins |
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306 | (1) |
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Selecting Garments for Mannequins |
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306 | (1) |
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307 | (4) |
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311 | (1) |
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311 | (1) |
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Positioning and Propping Mannequins |
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311 | (1) |
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Maintaining Mannequin Image |
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312 | (7) |
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Building a Visula Merchandising Department |
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319 | (22) |
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Organizing Your Professional Work Environment |
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320 | (1) |
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Becoming the ``Go-To Person'' |
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320 | (1) |
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320 | (2) |
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322 | (2) |
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322 | (1) |
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322 | (1) |
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323 | (1) |
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323 | (1) |
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Building a Multimedia Resource Center |
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324 | (4) |
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324 | (1) |
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Gathering Insights and Inspirations |
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324 | (1) |
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Reading about the Industry |
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324 | (2) |
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Building a Manufacturers' Library |
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326 | (1) |
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326 | (1) |
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Building a Materials Library |
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327 | (1) |
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Building a Travel or Market Library |
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327 | (1) |
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Markets, Trade Shows, and Exhibitions |
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328 | (3) |
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Planning a Productive Market Trip |
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329 | (1) |
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330 | (1) |
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Setting Up Visual Merchandising Projects |
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331 | (2) |
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Setting Up and Managing a Visual Merchandising Budget |
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333 | (4) |
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Tracking and Reporting Systems |
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333 | (1) |
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334 | (3) |
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Creating an Executive Presentation |
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337 | (4) |
PART SIX CAREER STRATEGIES |
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341 | (28) |
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Visual Merchandising Careers |
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343 | (26) |
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Beginning A Career in Visual Merchandising |
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344 | (2) |
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Twenty-One Visual Merchandising Careers |
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346 | (9) |
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Retail Organizational Structures |
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353 | (2) |
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Visual Merchandising Career Strategies |
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355 | (9) |
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355 | (1) |
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Getting Along in the Workplace |
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356 | (2) |
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Getting Ahead in the Workplace |
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358 | (1) |
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359 | (1) |
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Getting Your Foot in the Door |
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360 | (1) |
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Documenting Your Professional Qualifications |
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360 | (1) |
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361 | (3) |
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Connecting with the Industry |
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364 | (1) |
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364 | (5) |
Glossary |
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369 | (4) |
Directory of Visual Merchandising Professionals |
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373 | (5) |
References and Resources |
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378 | (3) |
Index |
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381 | |