| Series Editor's Foreword |
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xi | |
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| Acknowledgments |
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xii | |
| ``What's in a Name?'': Collaborating with Shakespeare at the Millennium |
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1 | (10) |
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| I. Biography, Adaptation, and Fictionalization |
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11 | (76) |
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13 | (9) |
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The Story Behind the Man Behind the Plays |
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22 | (7) |
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Bravo, Mr. William Shakespeare! |
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29 | (10) |
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``This is Young William'': Shakespeare and the Cumulative Tale |
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39 | (5) |
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``All the Colours of the Wind'': Shakespeare and the Primary Student |
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44 | (12) |
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Nutshells and Infinite Space: Stages of Adaptation |
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56 | (11) |
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67 | (7) |
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Shakespeare Speaks: Getting the Language Right |
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74 | (7) |
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The Players, the Playmaker, and Us |
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81 | (6) |
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| II. Interpretation and Critique |
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87 | (104) |
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Staging Shakespeare's Children |
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89 | (9) |
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Canning the Classic: Race and Ethnicity in the Lambs' Tales from Shakespeare |
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98 | (9) |
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Alice Reads Shakespeare: Charles Dodgson and the Girl's Shakespeare Project |
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107 | (13) |
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Strutting and Fretting on the Page: Representing Shakespeare's Theater in Illustrated Books |
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120 | (9) |
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Mediating the Supernatural in Adaptations of Shakespeare for Children: Three Unique Productions through Text and Illustration |
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129 | (9) |
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``The Play's the Thing'': Genre and Adaptations of Shakespeare for Children |
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138 | (9) |
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Promoting the Original: Perspectives on Balancing Authenticity and Creativity in Adaptations of The Tempest |
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147 | (6) |
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First One I and Then the Other: Identity and Intertexuality in Shakespeare's Caliban and Covington's Lizard |
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153 | (9) |
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Harry Potter and the Shakespearean Allusion |
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162 | (9) |
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Playing with Shakespeare: Making Worlds from Words |
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171 | (9) |
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Descending Shakespeare: Toward a Theory of Adaptation for Children |
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180 | (11) |
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| III. Pedagogy and Performance |
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191 | (107) |
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The Bard for Babies: Shakespeare, Bettelheim, and the Reggio Emilia Model of Early Childhood Education |
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193 | (8) |
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Visions of Shakespeare in a Montessori Classroom |
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201 | (6) |
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Shakespeare Steps Out: The Primacy of Language in Inner-City Classrooms |
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207 | (10) |
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``Your Play Needs No Excuse'': Shakespeare and Language Development in Children |
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217 | (14) |
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Players, Playgrounds, and Grounds for Play: Play v. Theater v. Realism in a Touring Children's Version of King Lear |
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231 | (8) |
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Presenting Shakespeare's Life and Times for Young People: An Outline Using Midsummer Night's Dream and Susan Cooper's King of Shadows |
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239 | (13) |
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Understanding Texts and Contexts: Teaching Shakespeare to Future High School Teachers |
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252 | (8) |
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Redistributing the Riches: Shakespearean Adaptation in Moss Gown and Mama Day |
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260 | (9) |
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Learning by Playing: Performance Games and the Teaching of Shakespeare |
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269 | (10) |
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Reimagining Shakespeare through Film |
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279 | (10) |
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289 | (9) |
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| Bibliography |
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298 | (7) |
| Contributors |
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305 | (6) |
| Permissions |
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311 | (1) |
| Index |
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312 | |