Acknowledgments |
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xi | |
Introduction: "Dear Sir or Madam, Will You Read My Book?" |
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1 | (8) |
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Kenneth Womack and Todd F. Davis |
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Part I "Speaking words of wisdom": The Beatles' Poetics |
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1. "I am he as you are he as you are me and we are all together": Bakhtin and the Beatles |
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9 | (28) |
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2. From "Craft" to "Art": Formal Structure in the Music of the Beatles |
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37 | (18) |
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3. "Love, love, love": Representations of Gender and Sexuality in Selected Songs by the Beatles |
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55 | (16) |
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4. Painting Their Room in a Colorful Way: The Beatles' Exploration of Timbre |
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71 | (26) |
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Part II "A splendid time is guaranteed for all": Theorizing the Beatles |
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5. Mythology, Remythology, and Demythology: The Beatles on Film |
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97 | (14) |
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Kenneth Womack and Todd F. Davis |
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6. Vacio Luminoso: "Tomorrow Never Knows" and the Coherence of the Impossible |
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111 | (18) |
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7. The Spectacle of Alienation: Death, Loss, and the Crowd in Sgt. Pepper's Lonely Hearts Club Band |
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129 | (18) |
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8. We All Want to Change the World: Postmodern Politics and the Beatles' White Album |
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147 | (14) |
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Part III "We can work it out": The Beatles and Culture |
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9. "The rest of you, if you'll just rattle your jewelry": The Beatles and Questions of Mass and High Culture |
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161 | (8) |
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10. A Universal Childhood: Tourism, Pilgrimage, and the Beatles |
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169 | (14) |
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11. "Baby You're a Rich Man": The Beatles, Ideology, and the Cultural Moment |
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183 | (14) |
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12. Spinning the Historical Record: Lennon, McCartney, and Museum Politics |
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197 | (18) |
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Afterword: I Want to Hold Your Hand |
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215 | (6) |
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Bibliography |
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221 | (12) |
List of Contributors |
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233 | (4) |
Index |
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237 | |