Editors |
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ix | |
Preface |
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xi | |
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Introduction |
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xiii | |
Part 1 Performing Lives, Hidden Histories |
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3 | (24) |
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Queer Temporalities and Subcultural Lives |
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27 | (14) |
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Fat Femmes, Bio-Queens, and Redefining Drag |
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41 | (14) |
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Stevie Nicks and the Forging of Femininity at the Night of a Thousand Stevies |
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55 | (12) |
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Lesbian Balladeering, Straight-Boy Emo, and the Politics of Affect |
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5 "Anders als die Anderen," or Queering the Song |
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67 | (16) |
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Construction and Representation of Homosexuality in German Cabaret Song Recordings before 1933 |
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Part 2 Queering Boundaries |
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83 | (18) |
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Performances of Pleasure and Pain in the Bolero |
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7 Hey, Man, You're My Girlfriend! |
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101 | (14) |
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Poetic Genderfuck and Queer Hebrew in Eran Zur's Performance of Yona Wallach's Lyrics |
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115 | (16) |
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Sexuality, Imaging, and Gender Construction in the Music of Exile |
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131 | |
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Latin House, Sexuality, Place |
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Part 3 Too Close for Comfort |
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155 | (14) |
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Queering Politics in the World of Tatu |
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11 "I Am Not in a Box of Any Description" |
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169 | (16) |
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Sinead O'Connor's Queer Outing |
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185 | (14) |
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A Neglected History in African American Music |
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13 Queer(ing) Masculinities in Heterosexist |
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199 | (22) |
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14 Closeness and Distance |
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221 | (14) |
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Part 4 Glamorous Excess |
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235 | (14) |
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Queer Exuberance in Large-Scale Form in Rock |
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16 Popular Music and the Dynamics of Desire |
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249 | (14) |
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263 | (16) |
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Gender Magic in the Film Musical |
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18 On Male Queering in Mainstream Pop |
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279 | (16) |
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Contributors |
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295 | (6) |
Index |
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301 | |