Introduction |
|
1 | (14) |
Thanks and Acknowledgments |
|
15 | (4) |
FORERUNNERS |
|
|
|
19 | (2) |
|
|
|
``Obey thou the Words of the Inspired Man'' |
|
|
21 | (3) |
|
|
|
|
24 | (2) |
|
|
|
|
26 | (2) |
|
|
|
|
28 | (3) |
|
|
|
|
31 | (2) |
|
|
|
|
33 | (3) |
|
|
36 | (436) |
|
|
|
That Nature is a Heraclitean Fire and of the Comfort of the Resurrection |
|
|
37 | (2) |
|
Isodore Ducasse, Comte de Lautreamont |
|
|
|
|
39 | (3) |
|
|
|
|
42 | (2) |
|
|
|
|
44 | (3) |
|
|
|
|
47 | (6) |
A FIRST GALLERY |
|
|
|
|
A Throw of the Dice Never Will Abolish Chance |
|
|
53 | (23) |
|
|
|
Waiting for the Barbarians |
|
|
76 | (1) |
|
|
77 | (1) |
|
And I Lounged and Lay on their Beds |
|
|
78 | (2) |
|
|
|
Nostalgic Song for My Beloved |
|
|
80 | (3) |
|
from From the Cradle to the Graave, or, through working and sweating, suffering and hardship, even through prayyer into damnation |
|
|
83 | (2) |
|
Match Factory at Chaami 1911 |
|
|
85 | (2) |
|
|
|
|
87 | (1) |
|
|
87 | (2) |
|
|
|
|
89 | (8) |
|
|
|
The Passion of Jesus Considered as an Uphill Race |
|
|
97 | (2) |
|
|
|
|
99 | (1) |
|
A Valentine to Sherwood Anderson |
|
|
100 | (4) |
|
|
104 | (2) |
|
|
|
|
106 | (1) |
|
|
106 | (2) |
|
|
108 | (4) |
|
|
|
|
112 | (1) |
|
from The Cock and the Pearl |
|
|
112 | (4) |
|
|
|
from The Dramatic Symphony |
|
|
116 | (3) |
|
|
|
|
119 | (1) |
|
|
120 | (4) |
|
|
124 | (3) |
|
|
127 | (1) |
|
|
128 | (2) |
|
|
130 | (2) |
|
|
|
|
132 | (2) |
|
|
|
|
134 | (2) |
|
|
|
from Love Songs to Joannes |
|
|
136 | (2) |
|
|
138 | (3) |
|
|
|
|
141 | (6) |
|
|
|
``The startling reality of things'' |
|
|
147 | (1) |
|
|
148 | (4) |
|
|
152 | (1) |
|
|
|
|
153 | (1) |
|
|
153 | (1) |
|
|
154 | (3) |
|
|
|
|
157 | (1) |
|
|
157 | (1) |
|
|
158 | (1) |
|
So Terrifyingly Melancholy |
|
|
158 | (2) |
|
|
|
|
160 | (2) |
|
from The Prose of the Trans-Siberian and of Little Jeanne of France |
|
|
162 | (11) |
|
|
|
|
173 | (4) |
|
|
|
|
|
|
177 | (1) |
|
|
177 | (1) |
|
|
177 | (1) |
|
|
177 | (3) |
|
|
|
|
180 | (1) |
|
|
181 | (1) |
|
|
182 | (1) |
|
|
183 | (2) |
|
|
|
|
185 | (1) |
|
|
186 | (2) |
|
|
188 | (5) |
FUTURISMS |
|
|
|
193 | (2) |
|
|
|
Demonstration for Intervention in the War |
|
|
195 | (1) |
|
|
|
from The Manifesto of Futurism |
|
|
196 | (3) |
|
Apres la Marne, Joffre visita le front en auto |
|
|
199 | (1) |
|
|
200 | (6) |
|
|
206 | (1) |
|
from The Variety Theater Manifesto |
|
|
207 | (3) |
|
|
|
Francesco Cangiullo: Detonation |
|
|
210 | (1) |
|
F. T. Marinetti: A Landscape Heard |
|
|
210 | (1) |
|
F. T. Marinetti: They Are Coming |
|
|
211 | (2) |
|
|
213 | (3) |
|
|
|
|
216 | (2) |
|
|
|
|
218 | (1) |
|
|
219 | (1) |
|
|
220 | (2) |
|
|
|
Constantinople: Ferroconcrete Poem |
|
|
222 | (1) |
|
D. Burliuk, Aleksandr Kruchenykh, V. Mayakovsky, Viktor Khlebnikov |
|
|
|
from A Slap in the Face of Public Taste |
|
|
223 | (1) |
|
|
|
|
224 | (1) |
|
|
224 | (2) |
|
|
226 | (5) |
|
|
|
Declaration of the Word as Such |
|
|
231 | (1) |
|
|
232 | (2) |
|
From the Sahara to America |
|
|
234 | (4) |
|
|
|
|
238 | (1) |
|
|
239 | (5) |
|
|
244 | (5) |
|
Mayakovsky's Suicide Note |
|
|
249 | (2) |
|
|
|
|
251 | (12) |
EXPRESSIONISM |
|
|
Prologue to Expressionism |
|
|
263 | (3) |
|
|
|
|
266 | (1) |
|
|
267 | (1) |
|
|
|
|
268 | (1) |
|
|
|
|
268 | (1) |
|
|
269 | (1) |
|
|
270 | (1) |
|
|
|
|
271 | (1) |
|
|
272 | (1) |
|
|
273 | (1) |
|
|
|
|
273 | (1) |
|
|
274 | (1) |
|
|
274 | (1) |
|
|
275 | (1) |
|
|
276 | (1) |
|
|
|
|
277 | (1) |
|
|
277 | (1) |
|
|
278 | (1) |
|
Man and Woman Go through the Cancer Ward |
|
|
278 | (1) |
|
|
279 | (1) |
|
A Bunch of Drifter Sons Hollered |
|
|
280 | (1) |
|
|
|
|
281 | (1) |
|
|
282 | (1) |
|
|
282 | (1) |
|
|
283 | (6) |
DADA |
|
|
|
289 | (2) |
|
|
|
Zurich Chronicle February 1916 |
|
|
291 | (1) |
|
|
|
|
291 | (1) |
|
|
292 | (2) |
|
The Complete Sound-Poems of Hugo Ball |
|
|
294 | (3) |
|
|
|
|
297 | (1) |
|
|
298 | (1) |
|
from Dada Manifesto on Feeble & Bitter Love |
|
|
299 | (7) |
|
The Great Lament of My Obscurity Three |
|
|
306 | (1) |
|
|
|
|
306 | (2) |
|
Richard Huelsenbeck, Marcel Janko, Tristan Tzara |
|
|
|
L'amiral cherche une maison a louer |
|
|
308 | (2) |
|
|
|
|
310 | (1) |
|
|
310 | (2) |
|
The Great Unrestrained Sadist |
|
|
312 | (1) |
|
|
313 | (2) |
|
|
|
|
315 | (1) |
|
|
316 | (6) |
|
Portrait de Tristan Tzara |
|
|
322 | (1) |
|
|
|
|
323 | (1) |
|
|
323 | (1) |
|
|
324 | (1) |
|
Else von Freytag-Loringhoven |
|
|
|
|
325 | (1) |
|
|
326 | (1) |
|
|
|
|
327 | (1) |
|
Portrait of Herwarth Walden |
|
|
328 | (1) |
|
|
328 | (1) |
|
|
329 | (3) |
|
|
332 | (2) |
|
|
|
|
334 | (1) |
|
Remembrance of the Founts of Night |
|
|
335 | (1) |
|
Georges Ribemont-Dessaignes |
|
|
|
|
336 | (2) |
|
|
|
|
338 | (1) |
|
Andre Breton & Phillippe Soupault |
|
|
|
|
339 | (6) |
A SECOND GALLERY |
|
|
|
|
from A Vision and The Second Coming |
|
|
345 | (1) |
|
|
|
|
346 | (6) |
|
|
|
|
352 | (3) |
|
|
|
Dance of the Macabre Mice |
|
|
355 | (1) |
|
|
355 | (2) |
|
|
|
|
357 | (3) |
|
|
|
The Locust Tree in Flower |
|
|
360 | (1) |
|
|
360 | (4) |
|
|
|
|
364 | (3) |
|
|
|
|
367 | (2) |
|
|
369 | (3) |
|
|
|
from Tribute to the Angels |
|
|
372 | (7) |
|
|
|
Sea Unicorns and Land Unicorns |
|
|
379 | (3) |
|
|
|
|
382 | (1) |
|
|
|
|
383 | (2) |
|
|
|
|
385 | (1) |
|
|
386 | (1) |
|
|
387 | (3) |
|
|
|
|
390 | (1) |
|
Whoever Finds a Horseshoe |
|
|
391 | (2) |
|
|
393 | (1) |
|
|
394 | (2) |
|
|
396 | (2) |
|
|
|
|
398 | (1) |
|
|
398 | (1) |
|
|
399 | (1) |
|
|
|
from Trilce: IX, XXV, LXXV |
|
|
400 | (2) |
|
|
402 | (1) |
|
|
403 | (3) |
|
|
|
from Altazor: Cantos I, VI, VII |
|
|
406 | (11) |
|
|
|
|
417 | (1) |
|
|
418 | (1) |
|
|
419 | (1) |
|
|
420 | (2) |
|
|
|
When I Sleep, Then I See Clearly |
|
|
422 | (1) |
|
I Arrived in That Town, Everyone Greeted Me, and I Recognized No One. When I Was Going to Read My Verses, the Devil, Hidden behind a Tree, Called Out to Me Sarcastically and Filled My Hands with Newspaper Clippings |
|
|
423 | (2) |
|
|
|
|
425 | (7) |
|
|
|
|
432 | (1) |
|
Poem, or Beauty Hurts Mr. Vinal |
|
|
432 | (3) |
|
|
|
I Will Not Crush the World's Corolla of Wonders |
|
|
435 | (1) |
|
|
435 | (2) |
|
|
|
To a Friend Who Wouldn't Bother to Strain His Noodelboard Because Even So It Is Hard to Go Hunting When Your Rifle Is Blunt and Love Is Soft as an Old Blanket |
|
|
437 | (4) |
|
|
|
|
441 | (2) |
|
|
443 | (1) |
|
|
444 | (2) |
|
|
|
|
446 | (4) |
|
|
|
|
450 | (1) |
|
|
451 | (1) |
|
|
452 | (1) |
|
|
|
Night Suite, for Piano & Poet's Voice |
|
|
453 | (4) |
|
|
457 | (8) |
SURREALISM |
|
|
|
465 | (3) |
|
|
|
from Manifesto of Surrealism (1924) |
|
|
468 | (2) |
|
|
|
|
470 | (2) |
|
|
472 | (1) |
|
|
473 | (126) |
|
|
|
A Man and Woman Absolutely White |
|
|
474 | (1) |
|
|
475 | (2) |
|
|
477 | (1) |
|
On the Road to San Romano |
|
|
478 | (1) |
|
|
479 | (3) |
|
|
|
|
|
|
482 | (1) |
|
|
482 | (1) |
|
|
482 | (1) |
|
|
483 | (1) |
|
|
483 | (2) |
|
|
|
Poem to Shout in the Ruins |
|
|
485 | (3) |
|
|
|
|
488 | (1) |
|
|
489 | (2) |
|
|
491 | (1) |
|
|
|
|
492 | (2) |
|
|
494 | (1) |
|
|
495 | (1) |
|
|
|
|
496 | (1) |
|
|
496 | (3) |
|
|
|
|
499 | (1) |
|
|
500 | (1) |
|
Paul Eluard & Andre Breton |
|
|
|
from The Immaculate Conception |
|
|
501 | (3) |
|
|
|
|
504 | (2) |
|
|
|
from The Hundred Headless Woman |
|
|
506 | (9) |
|
|
|
|
515 | (2) |
|
|
517 | (8) |
``OBJECTIVISTS'' |
|
|
Prologue to ``Objectivists'' |
|
|
525 | (2) |
|
|
|
|
527 | (2) |
|
|
|
|
529 | (4) |
|
|
|
from Poem Beginning ``The'' |
|
|
533 | (3) |
|
|
|
|
536 | (10) |
|
|
|
|
546 | (6) |
|
|
|
|
552 | (2) |
|
|
|
from The First Book of Odes |
|
|
|
``Weeping oaks grive, chestnuts raise'' |
|
|
554 | (1) |
|
|
555 | (4) |
NEGRITUDE |
|
|
|
559 | (2) |
|
|
|
|
561 | (1) |
|
Aime Cesaire & Rene Depestre |
|
|
|
from Discourse on Colonialism |
|
|
561 | (3) |
|
|
|
Speech and Image: An African Tradition of the Surreal |
|
|
564 | (2) |
|
|
566 | (1) |
|
|
567 | (1) |
|
|
568 | (2) |
|
|
|
|
570 | (1) |
|
|
571 | (1) |
|
|
572 | (3) |
|
|
|
from Notebook of a Return to the Native Land |
|
|
575 | (6) |
|
|
581 | (4) |
A THIRD GALLERY |
|
|
|
|
|
585 | (8) |
|
|
|
|
593 | (1) |
|
|
594 | (2) |
|
|
|
from A Drunk Man Looks at the Thistle |
|
|
596 | (3) |
|
|
599 | (137) |
|
|
|
|
600 | (2) |
|
|
602 | (1) |
|
Pictures of the Floating World |
|
|
602 | (3) |
|
|
|
|
605 | (1) |
|
|
606 | (1) |
|
|
607 | (2) |
|
|
|
from The Harlem Gallery: Book I, the Curator |
|
|
609 | (6) |
|
|
|
|
615 | (1) |
|
|
616 | (3) |
|
|
|
|
619 | (1) |
|
from The Sun Placed in the Abyss |
|
|
620 | (5) |
|
|
|
|
625 | (1) |
|
|
625 | (3) |
|
|
|
|
628 | (2) |
|
|
630 | (3) |
|
|
|
|
633 | (1) |
|
Mathios Paskalis among the Roses |
|
|
633 | (2) |
|
|
635 | (2) |
|
|
|
|
637 | (4) |
|
|
|
Logbook of a Lost Caravan |
|
|
641 | (1) |
|
|
642 | (1) |
|
|
642 | (2) |
|
|
|
Letters from Chankiri Prison |
|
|
644 | (7) |
|
|
|
from Montage of a Dream Deferred |
|
|
651 | (5) |
|
Carlos Drummond de Andrade |
|
|
|
|
656 | (1) |
|
|
657 | (1) |
|
|
658 | (3) |
|
|
|
|
661 | (3) |
|
|
664 | (2) |
|
|
|
|
666 | (1) |
|
|
667 | (1) |
|
|
668 | (2) |
|
|
670 | (1) |
|
|
670 | (1) |
|
|
671 | (2) |
|
|
|
|
673 | (2) |
|
|
675 | (1) |
|
|
676 | (3) |
|
|
|
|
679 | (3) |
|
|
682 | (5) |
|
|
|
from Prolegomena to a Theodicy |
|
|
687 | (4) |
|
|
|
|
691 | (2) |
|
|
693 | (2) |
|
|
695 | (2) |
|
|
|
Like Ankle-Rings, This Music |
|
|
697 | (1) |
|
|
697 | (1) |
|
|
698 | (1) |
|
|
698 | (4) |
|
|
|
|
702 | (5) |
|
|
|
Preface or The Drama of Absence in an Eternal Heart |
|
|
707 | (2) |
|
The Son of the Bone Speaks |
|
|
709 | (1) |
|
Old Precept of the Dead World |
|
|
710 | (1) |
|
|
710 | (1) |
|
|
|
from Clavicles for a Great Poetic Game |
|
|
711 | (2) |
|
Persephone That Is to Say Double Issue |
|
|
713 | (1) |
|
Short Revelation Concerning Death and Chaos |
|
|
714 | (1) |
|
|
|
|
715 | (1) |
|
|
716 | (2) |
|
|
|
|
718 | (4) |
|
|
722 | (1) |
|
|
722 | (1) |
|
|
723 | (1) |
|
|
|
|
724 | (4) |
|
|
|
|
728 | (5) |
A BOOK OF ORIGINS |
|
|
|
733 | (1) |
|
|
|
|
734 | (1) |
|
|
|
``Songs are throughts, sung out with the breath...'' |
|
|
735 | (1) |
|
|
736 | (6) |
|
|
|
``The African image is not an image by equation...'' |
|
|
736 | (1) |
|
|
|
|
737 | (1) |
|
|
|
|
738 | (2) |
|
|
|
from Rites of Participation |
|
|
740 | (1) |
|
Amiri Baraka (LeRoi Jones) |
|
|
|
|
741 | (1) |
|
|
742 | (1) |
|
|
742 | (1) |
|
from The Goulburn Island Cycle |
|
|
743 | (9) |
|
|
|
|
|
The Dance of the Greased Women |
|
|
746 | (1) |
|
|
747 | (1) |
|
|
|
from Ifa Suite in Praise of the Yoruba Oracle |
|
|
748 | (3) |
|
|
|
|
751 | (1) |
|
|
752 | (2) |
|
Seven Songs & Song Pictures |
|
|
754 | (7) |
|
Richard Johnny John, Jerome Rothenberg, Ian Tyson |
|
|
|
Songs from the Society of the Mystic Animals |
|
|
756 | (2) |
|
|
|
|
758 | (3) |
|
|
761 | (6) |
|
|
|
|
765 | (2) |
|
The 13th Horse Song of Frank Mitchell |
|
|
767 | (11) |
|
|
|
|
770 | (2) |
|
|
|
|
772 | (1) |
|
|
|
|
773 | (2) |
|
|
|
|
775 | (2) |
|
|
|
|
777 | (1) |
|
from The Thunder, Perfect Mind |
|
|
778 | (19) |
|
|
|
|
780 | (3) |
|
|
|
|
783 | (5) |
|
|
|
|
788 | (2) |
|
|
|
A Poem for the Sefirot as a Wheel of Light |
|
|
790 | (3) |
|
|
|
|
793 | (1) |
|
|
|
from The Book of Questions |
|
|
794 | (3) |
Credits |
|
797 | (12) |
Index of Authors |
|
809 | |