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Summary
Table of Contents
The Image Frame | p. 8 |
Frame dynamics | p. 10 |
Frame shape | p. 12 |
Stitching and extending | p. 18 |
Cropping | p. 20 |
Filling the frame | p. 22 |
Placement | p. 24 |
Dividing the frame | p. 26 |
Horizon | p. 28 |
Frames within frames | p. 30 |
Design Basics | p. 32 |
Contrast | p. 34 |
Gestalt perception | p. 38 |
Balance | p. 40 |
Dynamic tension | p. 44 |
Figure and ground | p. 46 |
Rhythm | p. 48 |
Pattern, texture, many | p. 50 |
Perspective and depth | p. 52 |
Visual weight | p. 58 |
Looking and interest | p. 60 |
Content, weak & strong | p. 62 |
Graphic & Photographic Elements | p. 64 |
A single point | p. 66 |
Several points | p. 70 |
Horizontal lines | p. 72 |
Vertical lines | p. 74 |
Diagonal lines | p. 76 |
Curves | p. 80 |
Eye-lines | p. 82 |
Triangles | p. 84 |
Circles and rectangles | p. 88 |
Vectors | p. 90 |
Focus | p. 94 |
Motion | p. 96 |
Moment | p. 98 |
Optics | p. 100 |
Exposure | p. 106 |
Composing with Light and Color | p. 108 |
Chiaroscuro and key | p. 110 |
Color in composition | p. 114 |
Color relationships | p. 118 |
Muted colors | p. 122 |
Black and white | p. 126 |
Intent | p. 128 |
Conventional or challenging | p. 130 |
Reactive or planned | p. 134 |
Documentary or expressive | p. 136 |
Simple or complex | p. 138 |
Clear or ambiguous | p. 140 |
Delay | p. 144 |
Style and fashion | p. 146 |
Process | p. 150 |
The search for order | p. 152 |
Hunting | p. 156 |
Case study: Japanese monk | p. 160 |
Repertoire | p. 162 |
Reaction | p. 164 |
Anticipation | p. 166 |
Exploration | p. 168 |
Return | p. 172 |
Construction | p. 174 |
Juxtaposition | p. 178 |
Photographs together | p. 180 |
Post-production | p. 184 |
Syntax | p. 186 |
Index | p. 188 |
Acknowledgments & Bibliography | p. 192 |
Table of Contents provided by Ingram. All Rights Reserved. |
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