Introduction: "Polysemy without mask" |
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3 | (34) |
Key to Translators |
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37 | (4) |
POEMS |
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FROM Romanian Prose Poems (c. 1947) |
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As Partisan of Erotic Absolutism |
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41 | (1) |
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FROM Mohn and Gedachtnis/Poppy and Memory (1952) |
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42 | (1) |
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43 | (1) |
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44 | (2) |
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46 | (2) |
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48 | (1) |
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49 | (1) |
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FROM Von Schwelle zu Schwelle/From Threshold to Threshold (1955) |
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50 | (1) |
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51 | (1) |
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52 | (2) |
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54 | (2) |
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56 | (2) |
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FROM Sprachgitter/Speech-Grille (1959) |
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58 | (3) |
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61 | (2) |
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63 | (2) |
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65 | (2) |
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67 | (8) |
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FROM Die Niemandsrose/The Noonesrose (1963) |
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75 | (1) |
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76 | (2) |
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78 | (1) |
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79 | (2) |
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81 | (2) |
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83 | (2) |
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85 | (1) |
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To One Who Stood at the Door |
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86 | (2) |
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88 | (1) |
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89 | (2) |
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91 | (2) |
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And with the Book from Tarussa |
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93 | (4) |
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From Atemwende/Breathturn (1967) |
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97 | (1) |
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97 | (1) |
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97 | (1) |
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98 | (1) |
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98 | (1) |
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99 | (1) |
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100 | (1) |
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100 | (3) |
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103 | (1) |
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103 | (1) |
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104 | (1) |
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105 | (1) |
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106 | (1) |
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107 | (1) |
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108 | (1) |
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109 | (1) |
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FROM Fadensonnen/Threadsuns (1968) |
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110 | (1) |
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111 | (1) |
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112 | (1) |
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112 | (1) |
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113 | (1) |
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114 | (1) |
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115 | (1) |
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When I Don't Know, Don't Know |
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116 | (1) |
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117 | (1) |
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117 | (1) |
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117 | |
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116 | (4) |
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FROM Lichtzwang/Lightduress (1970) |
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Soundscraps, Visionscraps |
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120 | (1) |
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120 | (1) |
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121 | (1) |
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121 | (1) |
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121 | (1) |
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122 | (1) |
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122 | (1) |
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123 | (1) |
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124 | (1) |
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124 | (1) |
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125 | (1) |
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126 | (1) |
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127 | (1) |
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FROM Schneepart/Snowpart (1971) |
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128 | (1) |
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129 | (1) |
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130 | (1) |
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130 | (1) |
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131 | (1) |
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131 | (1) |
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131 | (1) |
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132 | (1) |
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I Hear the Axe Has Blossomed |
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133 | (1) |
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With the Voice of the Fieldmouse |
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134 | (1) |
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134 | (1) |
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135 | (1) |
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FROM Zeitgehöft/Timehalo (x976) |
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[CYCLE II: JERUSALEM POEMS] |
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136 | (1) |
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136 | (1) |
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137 | (1) |
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We Who Like the Seaoats Guard |
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137 | (1) |
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138 | (1) |
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138 | (1) |
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139 | (1) |
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140 | (1) |
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140 | (1) |
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140 | (1) |
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141 | (1) |
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141 | (1) |
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142 | (1) |
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142 | (1) |
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143 | (1) |
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143 | (1) |
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144 | (1) |
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144 | (1) |
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144 | (1) |
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145 | |
PROSES |
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Conversation in the Mountains (1959) |
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149 | (5) |
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154 | (23) |
DOCUMENTS |
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Letter #1: To Gisele Celan-Lestrange (1952) |
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177 | (1) |
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Letter #2: To Gisele Celan-Lestrange (1952) |
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178 | (1) |
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Letter #3: To Erich Einhorn (1962) |
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179 | (2) |
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Letter #4: To Erich Einhorn (1962) |
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181 | (2) |
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Letter #5: To Rene Char (unsent) (1962) |
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183 | (3) |
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Letter #6: To Jean-Paul Sartre (unsent) (1962) |
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186 | (2) |
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Letter #7: To Gisele Celan-Lestrange (1965) |
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188 | (3) |
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Letter #8: To Eric Celan (1968) |
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191 | (2) |
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Letter #9: From Gisele Celan -Lestrange to Paul (1969) |
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193 | (3) |
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Letter #10: To Gisele Celan-Lestrange (1970) |
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196 | (1) |
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Das Stundenglas, tief (facsimile) |
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197 | (1) |
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Über dich hinaus (facsimile) |
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198 | (1) |
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Es wird etwas sein, später (facsimile) |
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199 | (4) |
ON PAUL CELAN |
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203 | (2) |
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Encounters with Paul Celan |
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205 | (4) |
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209 | (6) |
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On Paul Celan in Neuchâtel |
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215 | (2) |
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217 | (8) |
Selected Bibliography |
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225 | (4) |
Acknowledgments of Permissions |
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229 | |