Summary
Operas are about the meaning of love and life, and also very much about the meaning of death. Opera as a form, however, might even be dead itself. The last great operas are said to be those written around 1900. But, the psychoanalytic critic and philosopher Slavoj Zizek is quick to point out, 1900 is also the year in which Freud 'invents' psychoanalysis. Can this be a coincidence?Opera's Second Deathis a passionate exploration of opera---the genre, its masterpieces, and the nature of death. Using a dazzling array of tools, Slavoj Zizek and coauthor Mladen Dolar explore the strange compulsions that overpower characters in Mozart and Wagner, as well as our own desires to die and to go to the opera. Mozart's understanding of psychoanalysis and Wagner's sense of humor are but two of the many surprises in Zizek and Dolar's operatic tour de force.Opera's Second Deathis an extended aria on a subject that is far from dead.
Author Biography
Slavoj Zizek is Senior Researcher at the Department of Philosophy at the University of Ljubljana, Slovenia, and at the Kulturwissenschaftliches Institut, Essen, Germany. Mladen Dolar is Professor of Philosophy at the University of Ljubljana, Slovenia
Table of Contents
Introduction: For the Love of Opera |
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IF MUSIC BE THE FOOD OF LOVE |
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1 | (102) |
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The Birth of Opera from the Spirit of Absolutism |
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5 | (3) |
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8 | (11) |
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19 | (5) |
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24 | (4) |
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28 | (5) |
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Die Entfuhrung aus dem Serail |
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33 | (5) |
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38 | (7) |
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45 | (5) |
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The Opera in Philosophy: Mozart and Kierkegaard |
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50 | (8) |
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58 | (3) |
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61 | (4) |
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A Philosopher in the Opera |
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65 | (4) |
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69 | (4) |
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The Rationalistic Myth of the Enlightenment |
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73 | (7) |
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He Is a Man---Even More, He Is a Prince |
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80 | (7) |
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87 | (16) |
I DO NOT ORDER MY DREAMS'' |
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103 | (124) |
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The Death Drive and the Wagnerian Sublime |
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105 | (5) |
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110 | (4) |
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114 | (7) |
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``Deeper Than the Day Could Read'' |
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121 | (30) |
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121 | (6) |
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Tristan's Journey to the Bottom of the Night |
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127 | (4) |
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Transgression? No, Thanks! |
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131 | (4) |
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Wagner's Sexualized Politics |
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135 | (4) |
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139 | (12) |
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``The Everlasting Irony of Community'' |
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151 | (46) |
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151 | (5) |
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156 | (6) |
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162 | (7) |
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The Feminine versus Woman |
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169 | (12) |
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Interlude / The Feminine Excess |
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181 | (16) |
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197 | (30) |
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197 | (9) |
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206 | (5) |
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``It quacks, hoots, pants, and gasps'' |
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211 | (4) |
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215 | (4) |
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219 | (8) |
Bibliography |
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227 | (6) |
Index |
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