Preface |
|
xiii | |
Introduction |
|
xv | |
Table of Dates |
|
xxxix | |
Further Reading |
|
xlv | |
OSSI DI SEPPIA |
|
|
JEREMY REED, "Be glad if the wind frisking the orchard" |
|
|
3 | (2) |
|
JONATHAN GALASSI, On the Threshold |
|
|
5 | (2) |
|
BERNARD SPENCER, The Lemon Trees |
|
|
7 | (2) |
|
LEE GERLACH, The Lemon Trees |
|
|
9 | (3) |
|
CHARLES WRIGHT, Portrait of Mary |
|
|
12 | (2) |
|
|
14 | (2) |
|
EDWIN MORGAN, Sarcophagi I |
|
|
16 | (3) |
Ossi di seppia |
|
|
JOSEPH CARY, "Don't ask of us the word that squares on every side" |
|
|
19 | (1) |
|
EUGENIO MONTALE, "Meriggiare pallido e assorto" |
|
|
20 | (1) |
|
EDWIN MORGAN, "Dozing at midday, dazed and pale" |
|
|
21 | (1) |
|
WILLIAM ARROWSMITH, "To laze at noon, pale and thoughtful" |
|
|
22 | (1) |
|
JONATHAN GALASSI, "Sit the noon out, pale and lost in thought" |
|
|
23 | (1) |
|
HARRY THOMAS, "To pass the noon, intent and pale" |
|
|
24 | (1) |
|
SAMUEL PUTNAM, Cuttle Bones |
|
|
25 | (2) |
|
EUGENIO MONTALE, "Portami it girasole ch'io to trapianti" |
|
|
27 | (1) |
|
BERNARD SPENCER, "Bring me the sunflower so that I can transplant it" |
|
|
28 | (1) |
|
EDWIN MORGAN, "Bring me the sunflower to transplant here" |
|
|
29 | (1) |
|
JEREMY REED, The Sunflower |
|
|
30 | (1) |
|
SONIA RAIZISS and ALFREDO DE PALCHI, "Maybe some morning, walking in dry glass air" |
|
|
31 | (1) |
|
EDITH FARNSWORTH, "Valmorbia, blossoming clouds of plants" |
|
|
32 | (2) |
|
JONATHAN GALASSI, "Your hand was trying the keyboard" |
|
|
34 | (1) |
|
DAVID FERRY, La Farandola dei Fanciulli |
|
|
35 | (1) |
|
JAMIE McKENDRICK, "At the crank of the windlass in the well" |
|
|
36 | (1) |
|
EDWIN MORGAN, Peeweet (Scots) |
|
|
37 | (1) |
|
SONIA RAIZISS, "On the scrawled wall" |
|
|
38 | (2) |
Mediterraneo |
|
|
ALLEN MANDELBAUM, "Ancient one, I am drunk with the call" |
|
|
40 | (1) |
|
ALLEN MANDELBAUM, "At times - suddenly -" |
|
|
41 | (1) |
|
|
42 | (1) |
|
ALLEN MANDELBAUM, "I should have liked to feel harsh and essential" |
|
|
43 | (1) |
|
JAMIE McKENDRICK, "If I could just once syphon off" |
|
|
44 | (1) |
|
JEREMY REED, "Then obliterate if you wish" |
|
|
45 | (1) |
|
|
46 | (1) |
|
JONATHAN GALASSI, Eclogue |
|
|
47 | (2) |
|
|
49 | (2) |
|
|
51 | (2) |
|
|
53 | (3) |
|
|
56 | (2) |
|
WILLIAM WEAVER, House at the Sea |
|
|
58 | (2) |
|
|
60 | (2) |
|
|
62 | (2) |
|
|
64 | (5) |
LE OCCASIONI |
|
|
|
69 | (1) |
|
|
70 | (1) |
|
|
71 | (1) |
|
|
72 | (1) |
|
|
73 | (1) |
|
G.S. FRASER, Bagni di Lucca |
|
|
74 | (1) |
|
EAMON GRENNAN, En Route to Vienna |
|
|
75 | (1) |
|
EDITH FARNSWORTH, Toward Capua |
|
|
76 | (1) |
|
MAURICE ENGLISH, Dora Markus |
|
|
77 | (3) |
|
|
80 | (4) |
Mottetti |
|
|
EUGENIO MONTALE, "Lo sai: debbo riperderti e non posso" |
|
|
84 | (1) |
|
JONATHAN GALASSI, "You know: I have to give you up again" |
|
|
85 | (1) |
|
ARSHI PIP A, "Many years, and a harder one by the foreign" |
|
|
86 | (1) |
|
J.D. McCLATCHY, "Rime at the panes; the patients" |
|
|
87 | (1) |
|
JEREMY REED, "I'd lost the hope of seeing you again" |
|
|
88 | (1) |
|
DANA GIOIA, "I had almost lost" |
|
|
89 | (1) |
|
JEREMY REED, "In undulating flights martins reveal" |
|
|
90 | (1) |
|
DANA GIOIA, "At dawn, when suddenly" |
|
|
91 | (1) |
|
J.D. McCLATCHY, "The flower that rehearses" |
|
|
92 | (1) |
|
DANA GIOIA, "The flower on the mountainside" |
|
|
93 | (1) |
|
KATE HUGHES, "Do not, o scissors, cut off that face" |
|
|
94 | (1) |
|
KATE HUGHES, "...but so be it. The cornet" |
|
|
95 | (1) |
|
JEREMY REED, "...so be it. The sound of a cornet" |
|
|
96 | (1) |
|
EUGENIO MONTALE, La Casa dei doganieri |
|
|
97 | (1) |
|
BEN JOHNSON and JAMES MERRILL, The House of the Customs Men |
|
|
98 | (2) |
|
ROBERT LOWELL, The Coastguard House |
|
|
100 | (2) |
|
JEREMY REED, The Coastguard's House |
|
|
102 | (1) |
|
JONATHAN GALASSI, The House of the Customs Men |
|
|
103 | (1) |
|
|
104 | (1) |
|
|
105 | (2) |
|
|
107 | (1) |
|
JONATHAN GALASSI, Punta del Mesco |
|
|
108 | (1) |
|
|
109 | (1) |
|
ROBERT LOWELL, Eastbourne |
|
|
110 | (2) |
|
BEN JOHNSON and JAMES MERRILL, New Stanzas |
|
|
112 | (2) |
|
EDWIN MORGAN, New Stanzas |
|
|
114 | (2) |
|
EDITH FARNSWORTH, The Return |
|
|
116 | (1) |
|
DAVID FERRY, News from Mount Amiata |
|
|
117 | (6) |
LA BUFERA E ALTRO |
|
|
CHARLES GUENTHER, Seascape |
|
|
123 | (1) |
|
ROBERT BLY, On a Letter Not Written |
|
|
124 | (1) |
|
ALLEN MANDELBAUM, In Sleep |
|
|
125 | (1) |
|
RACHEL WETZSTEON, "The violent thrum of error" |
|
|
126 | (1) |
|
GEORGE KAY, Indian Serenade |
|
|
127 | (1) |
|
EDITH FARNSWORTH, The Earrings |
|
|
128 | (1) |
|
EDITH FARNSWORTH, Window of Fiesole |
|
|
129 | (1) |
|
EDITH FARNSWORTH, The Ark |
|
|
130 | (1) |
|
JEREMY REED, Day and Night |
|
|
131 | (1) |
|
EAMON GRENNAN, To My Mother |
|
|
132 | (1) |
|
EDITH FARNSWORTH, From a Tower |
|
|
133 | (1) |
|
CHARLES WRIGHT, Where the Tennis Court Was... |
|
|
134 | (2) |
|
WILLIAM ARROWSMITH, Visit to Fadin |
|
|
136 | (2) |
|
RACHEL WETZSTEON, "Mistletoe, a city of snapshots taped to" |
|
|
138 | (1) |
|
|
139 | (1) |
|
JEREMY REED, Homage to Rimbaud |
|
|
140 | (1) |
|
|
141 | (2) |
|
EAMON GRENNAN, In the Greenhouse |
|
|
143 | (1) |
|
CHARLES WRIGHT, Beach at Versilia |
|
|
144 | (2) |
|
BERNARD WALL, Hitler Spring |
|
|
146 | (3) |
|
ROBERT LOWELL, Hitlerian Spring |
|
|
149 | (2) |
|
JONATHAN GALASSI, Voice That Came with the Coots |
|
|
151 | (2) |
|
KEITH BOSLEY, The Shadow of the Magnolia |
|
|
153 | (2) |
|
EUGENIO MONTALE, II gallo cedrone |
|
|
155 | (1) |
|
BERNARD WALL, The Wood Grouse |
|
|
156 | (1) |
|
WILLIAM ARROWSMITH, The Capercaillie |
|
|
157 | (1) |
|
EUGENIO MONTALE, L'anguilla |
|
|
158 | (1) |
|
BEN JOHNSON and JAMES MERRILL, The Eel |
|
|
159 | (2) |
|
|
161 | (2) |
|
|
163 | (2) |
|
VINIO ROSSI and DAVID YOUNG, "You gave my name to a tree?" |
|
|
165 | (1) |
|
BERNARD WALL, The Red and the Black |
|
|
166 | (1) |
|
JONATHAN GALASSI, From a Swiss Lake |
|
|
167 | (1) |
|
CHARLES WRIGHT, Anniversary |
|
|
168 | (1) |
|
EDWIN MORGAN, Brief Testament |
|
|
169 | (2) |
|
ROBERT LOWELL, Little Testament |
|
|
171 | (2) |
|
BEN BELITT, Little Testament |
|
|
173 | (2) |
|
CID CORMAN, The Prisoner's Dream |
|
|
175 | (4) |
SATURA |
|
|
GAVIN EWART, Thrust and Riposte |
|
|
179 | (3) |
|
|
182 | (5) |
|
|
187 | (6) |
|
G. SINGH, Late in the Night |
|
|
193 | (2) |
|
JEREMY REED, Backward Glance |
|
|
195 | (1) |
|
LAWRENCE KART, After a Flight |
|
|
196 | (5) |
|
EAMON GRENNAN, Venetian Piece |
|
|
201 | (2) |
|
WILLIAM ARROWSMITH, Rebecca |
|
|
203 | (1) |
|
W.S. DI PIERO, Lights and Colors |
|
|
204 | (3) |
DIARIO DEL '71 E DEL '72 |
|
|
G. SINGH, The Carillon Pendulum Clock |
|
|
207 | (2) |
|
HARRY THOMAS, Sorapis, 40 Years Ago |
|
|
209 | (4) |
QUADERNO DEL QUATTRO ANNI |
|
|
JORIE GRAHAM and DANIEL HALPERN, "I lived on the third floor in those days" |
|
|
213 | (1) |
|
JORIE GRAHAM and DANIEL HALPERN, The Day of the Dead |
|
|
214 | (1) |
|
ANTHONY BURGESS, For Un Omaggio a Rafael Alberti |
|
|
215 | (4) |
ALTRI VERSI E POESIE DISPERSE |
|
|
JONATHAN GALASSI, "Winter lingers on" |
|
|
219 | (1) |
|
JAMIE McKENDRICK, The Earth's Rind |
|
|
220 | (1) |
|
JONATHAN GALASSI, To My Friend Pea |
|
|
221 | (1) |
|
N.S. THOMPSON, Nixon in Rome |
|
|
222 | (2) |
|
DAVID KELLER and DONALD SHEEHAN, Afloat |
|
|
224 | (2) |
|
DAVID KELLER and DONALD SHEEHAN, In a Void |
|
|
226 | (3) |
HOMAGES TO MONTALE |
|
|
CHARLES WRIGHT, Tattoo 20: "You stand in your shoes, two shiny graves" |
|
|
229 | (1) |
|
JONATHAN GALASSI, Montale's Grave |
|
|
230 | (1) |
|
RACHEL WETZSTEON, Blind Date |
|
|
231 | (2) |
|
GEOFFREY HILL, CXXXIV: "It surprises me not at all that your" |
|
|
233 | (2) |
|
|
235 | (2) |
Acknowledgments |
|
237 | (8) |
Index of Translators and Poets |
|
245 | |