Barely four years after winning an Oscar, Charlie has sunk into the ranks of Hollywood bottom-feeders -- reduced to living in his nephew's pool house, kiting checks and taking the bus to his weekly Debtors Anonymous meeting, where he meets a mysterious ex-CIA agent who proposes to resuscitate Charlie's foundering career -- in the beyond surreal world of reality TV.
Charlie puts his tap shoes on to sell a show about a ruthless Uzbek warlord and his family ("think The Osbournes meets The Sopranos") to a rogue division of ABC, known as ABCD, which operates out of a skunkworks in Manhattan Beach, California, and whose mandate is to develop, under top secret cover like that for the Manhattan Project, extreme reality TV shows to bolster the network's ratings.
Warlord becomes a breakout hit and results not only in causing one of America's largest entertainment conglomerates to go into full damage-control mode but also in shifting the balance of power in Central Asia and in proving that in show business it's not over till the mouse sings.
Chapter One: Sharing Three years, nine months and twenty-four days after winning an Academy Award for producing the best picture of the year, Charlie Berns was sitting on a folding chair in a second-floor room at the Brentwood Unitarian Church Annex listening to a woman with smeared lipstick and a bad postnasal drip tell him, and the other thirteen people in the room, that she had just charged $1,496 worth of cashmere sweaters on a VISA card she had received in the mail and failed to destroy."I was just a week short of eighteen months debt-free..."The woman, who looked as if she had slept in her car with the heater on, collapsed back into a heap and began to pull compulsively on her hair."Thank you for sharing, Sheila," the group leader Phyllis said. "Anyone else want to share?"She looked straight at Charlie as she said this. Charlie looked right back at her. There was no way he was going to get up there and tell this group of deadbeats that after making $2.65 million in back-end profits for producing the picture, he had let it all ride on the NASDAQ in February of 2000. That his broker at the time, Teddy Herbentin, kept calling it a market correction until the 2.65 mil dissolved into low five figures and Charlie had cashed out to pay his back property taxes. That the next picture he developed collapsed under the collective weight of four different writers, a million-plus in before the studio pulled the plug. That the book he optioned with what remained of the back-end money, an expose on sweatshops in Honduras, turned out to be a complete fabrication by the author, who had gotten all his information off some unreliable Web sites and was being sued by the Hondurans, as well as by the publisher. That the woman he had been living with, Deidre Hearn -- a thirty-eight-year-old development executive who had been sent to shut down his Oscar-winning picture and instead wound up working on it with him -- had been killed by a faulty electric transformer on his automatic sprinkler system, electrocuted on the Fourth of July last year when she had tried to repair a broken sprinkler head and her wet hand had made contact with the exposed terminal of the transformer that his gardener had been promising to fix for months.Nor was he going to share the fact that he was living in his nephew Lionel's pool house, driving Lionel's personal assistant's sister's car while she was recovering from periodontal surgery -- a 1989 Honda Civic with one functioning headlight -- communicating on a cell phone that he had gotten on promotion with a kited credit card and was there in this Debtors Anonymous meeting only because his debt consolidator had insisted he attend as a condition of his protecting Charlie from the dogpack of creditors that descended on his mailbox daily.This was the third meeting he had been to, and he had yet to open his mouth, except to wolf down bagels during the after-meeting social period. He hadn't gotten past the first of the twelve steps: We admitted that we were powerless over debt -- that our lives had become unmanageable.As far as Charlie was concerned, his problems had nothing to do with being powerless over debt: it was the debt that was making him powerless, a semantic distinction that did not seem to fall under any of the twelve steps displayed prominently on the church annex room wall. If it hadn't been for that three-year-and-counting market correction; if he had gotten a decent script of two to produce; if he hadn't become severely depressed after Deidre died trying to save his lawn; plus a few dozen other ifs, he would still be living in his 4,900 square feet in the Beverly Hills flats, driving the SEL560 and employing a small army of people to deal with his life for him.He had gone to his debt consolidator, Xuang Duc, a Vietnamese with a green card and no-frills English, only because his creditors had started to call him at all hours at Lionel'