The last film in Jean Vigo's tragically short career, L'Atalante (1934) was indifferently received at first but has now achieved almost legendary status. Exploring the many ways in which the film's greatness lies not in the story but in the manner of its telling, Marina Warner provides rich analysis of its historical, cultural and biographical contexts to show how Vigo's extraordinary
style – as fresh, original and beautiful today as in 1934 – owes something to Surrealism, but is also uniquely his.
In this reissued edition, updated with a new foreword and featuring original cover artwork by Richey Beckett, Warner argues that the quality of this luminously strange, poignantly tender and constantly surprising ciné-poem has only strengthened in the eighty years since it was made.
Dame Marina Warner is a British novelist and historian. She was appointed DBE in the 2015 New Year Honours for services to higher education and literary scholarship. She is a Fellow of the British Academy, the Royal Society of Literature, and All Souls College, Oxford University, UK, and she is Chair in English and Creative Writing at Birkbeck College, University of London, UK.
Acknowledgements
Prologue to the new edition
Prologue to the first edition
1. The Wedding
2. At Close Quarters
3. The Barge
4. Dirty Washing
5. The Skirt of Le Pere Jules
6. In the Wunderkammer
7. Vigo and Surrealism
8. The Pedlar
9. The City of Modern Life
10. Love Regained
11. Le Bande a Vigo
Notes
Credits
Bibliography