Inventions of the Imagination : Romanticism and Beyond

by ; ; ; ;
Format: Paperback
Pub. Date: 2011-07-01
Publisher(s): Univ of Washington Pr
List Price: $35.00

Buy New

Usually Ships in 5-7 Business Days
$34.97

Rent Textbook

Select for Price
There was a problem. Please try again later.

Used Textbook

We're Sorry
Sold Out

eTextbook

We're Sorry
Not Available

How Marketplace Works:

  • This item is offered by an independent seller and not shipped from our warehouse
  • Item details like edition and cover design may differ from our description; see seller's comments before ordering.
  • Sellers much confirm and ship within two business days; otherwise, the order will be cancelled and refunded.
  • Marketplace purchases cannot be returned to eCampus.com. Contact the seller directly for inquiries; if no response within two days, contact customer service.
  • Additional shipping costs apply to Marketplace purchases. Review shipping costs at checkout.

Summary

The dialectic between reason and imagination forms a key element in Romantic and post-Romantic philosophy, science, literature, and art.Inventions of the Imagination, Romanticism and Beyondexplores the diverse theories and assessments of this dialectic in a collection of essays by philosophers and literary and cultural critics.By the end of the eighteenth century, an insistence on reason as the predominant human faculty had run its course, and the imagination began to emerge as another force whose contributions to human intellectual existence and productivity had to be newly calculated and constantly recalibrated. The attempt to establish a universal form of reason alongside a plurality of imaginative capacities describes the ideological program of modernism from the end of the eighteenth century to the present day. Are these two drives actually compatible with one another? Can a universal and monolithic form of reason tolerate the play, flexibility, and unpredictability of imaginative creativity? This collection chronicles some of the vicissitudes in the conceptualization and evaluation of the imagination across time and in a variety of intellectual disciplines, including philosophy, aesthetic theory, and literary studies.These essays analyze the work of a range of predominately German and British philosophers and poets, including Kant, Hegel, Schiller, Blake, Keats, and Goethe. Together they create a rich and nuanced dialogue on the roles literature, fictions, and works of art in general-understood as products of the imagination-play for and in philosophical systems.Richard T. Grayis the Byron W. and Alice L. Lockwood professor of Germanics at the University of Washington.Nicholas Halmiis the Margaret Candfield Fellow and Tutor in English at the University College, Oxford.Gary J. Handwerkis professor of English and comparative literature at the University of Washington.Michael A. Rosenthalis associate professor of philosophy at the University of Washington.Klaus Viewegis professor of philosophy at Friedrich Shiller University.

Author Biography

Richard T. Gray is the Byron W. and Alice L. Lockwood Professor in the Humanities at the University of Washington. Nicholas Halmi is University Lecturer in English Literature of the Romantic Period at Oxford University. Gary J. Handwerk is Professor of English and Comparative Literature at the University of Washington. Michael A. Rosenthal is Associate Professor of Philosophy at the University of Washington. Klaus Vieweg is Professor of Philosophy at the Friedrich Schiller University of Jena.

Table of Contents

Introductionp. 3
Imagination on the Movep. 17
The Poetics of Nature: Literature and Constructive Imagination in the History of Geologyp. 26
Between Imagination and Reason: Kant and Spinoza on Fictionsp. 36
Herder on Interpretation and Imaginationp. 54
William Blake: Imagination, Vision, Inspiration, Intellectp. 68
Imaginative Power as Prerequisite for an Aesthetics of Freedom in Friedrich Schiller's Worksp. 77
The Gentle Force Over Pictures: Hegel's Philosophical Conception of the Imaginationp. 87
The Status of Literature in Hegel's Phenomenology of Spirit: on the Lives of Conceptsp. 102
Difficult Freedom: Hegel's Symbolic art and Schelling's Historiography in the Ages of the World (1815)p. 121
From art to History: Schelling's Modern Mythology and the Coming Communityp. 141
"To Impose is not to Discover": A Romantic-Modernist Continuity in Contradictionp. 159
Biographies of Editors and Contributorsp. 182
Indexp. 187
Table of Contents provided by Ingram. All Rights Reserved.

An electronic version of this book is available through VitalSource.

This book is viewable on PC, Mac, iPhone, iPad, iPod Touch, and most smartphones.

By purchasing, you will be able to view this book online, as well as download it, for the chosen number of days.

Digital License

You are licensing a digital product for a set duration. Durations are set forth in the product description, with "Lifetime" typically meaning five (5) years of online access and permanent download to a supported device. All licenses are non-transferable.

More details can be found here.

A downloadable version of this book is available through the eCampus Reader or compatible Adobe readers.

Applications are available on iOS, Android, PC, Mac, and Windows Mobile platforms.

Please view the compatibility matrix prior to purchase.