Introduction |
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1 | (1) |
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2 | (1) |
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2 | (3) |
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Book I: Digital Photography Overview |
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3 | (1) |
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Book II: Building Your Digital Photography Studio |
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3 | (1) |
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Book III: Taking Great Pictures |
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4 | (1) |
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Book IV: Basics of Image Editing |
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4 | (1) |
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Book V: Editing with Adobe Photoshop and Photoshop Elements |
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4 | (1) |
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Book VI: Restoring Old Photos |
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4 | (1) |
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Book VII: Printing and Sharing Your Digital Images |
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5 | (1) |
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5 | (1) |
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Conventions Used in This Book |
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5 | (1) |
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6 | (1) |
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6 | (1) |
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Book I: Digital Photography Overview |
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7 | (78) |
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The Essentials of Good Digital Photography |
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9 | (10) |
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Knowing What Equipment You Need |
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10 | (2) |
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Minimum and Maximum Specs |
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12 | (2) |
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Taking Great Digital Shots |
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14 | (2) |
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Understand how your camera works |
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14 | (1) |
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Know some photography fundamentals |
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14 | (1) |
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Find out how to use an image editor |
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15 | (1) |
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15 | (1) |
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16 | (1) |
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Printing Your Final Pictures |
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17 | (2) |
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19 | (14) |
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20 | (4) |
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How much resolution do you need? |
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20 | (2) |
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Do you plan to manipulate your photos? |
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22 | (1) |
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Are you a photo hobbyist? |
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23 | (1) |
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How often do you plan to upgrade? |
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24 | (1) |
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24 | (6) |
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25 | (1) |
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25 | (1) |
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26 | (1) |
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26 | (1) |
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27 | (1) |
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28 | (2) |
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Checking for Key Camera Features |
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30 | (3) |
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Acquiring Your Digital Pictures |
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33 | (8) |
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33 | (2) |
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Grabbing Images of Hard Copies |
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35 | (4) |
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36 | (1) |
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What to look for in a scanner |
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37 | (2) |
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Letting the Other Guy Do It |
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39 | (2) |
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Electronically Editing or Restoring a Photo |
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41 | (24) |
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Choosing an Image Editing Program |
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42 | (5) |
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42 | (2) |
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Checking out different applications |
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44 | (3) |
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Performing Photographic Triage |
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47 | (1) |
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48 | (7) |
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48 | (2) |
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50 | (3) |
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53 | (2) |
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Restoring, Replacing, and Removing Photographic Content |
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55 | (10) |
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Replacing missing or unwanted content |
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56 | (5) |
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Rearranging parts of the picture |
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61 | (2) |
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Getting rid of unwanted content |
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63 | (2) |
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Storing and Organizing Your Digital Photos |
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65 | (16) |
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65 | (11) |
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Using your computer's file-management tools |
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66 | (4) |
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Using photo album software |
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70 | (4) |
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74 | (2) |
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Archiving and Backing Up Photos |
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76 | (5) |
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Backing up your best shots |
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77 | (1) |
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77 | (1) |
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78 | (1) |
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Offsite storage for maximum safety |
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79 | (2) |
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Printing and Sharing Your Pictures |
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81 | (4) |
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Creating Prints on Demand |
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81 | (2) |
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Getting the Most from Your Printer and Supplies |
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83 | (1) |
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83 | (2) |
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Book II: Building your Digital Photography Studio |
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85 | (112) |
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Choosing the Right Camera |
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87 | (38) |
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Choosing a Camera Category |
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88 | (2) |
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Parts of a Digital Camera |
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90 | (3) |
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Evaluating Your Lens Requirements |
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93 | (1) |
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Understanding How Lenses Work |
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94 | (11) |
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Magnifications and focal lengths |
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95 | (4) |
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99 | (2) |
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101 | (1) |
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102 | (3) |
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105 | (4) |
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109 | (7) |
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109 | (2) |
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111 | (2) |
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113 | (2) |
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115 | (1) |
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Considering Your Storage Options |
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116 | (2) |
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No Flash in the Pan: Determining Your Lighting Needs |
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118 | (1) |
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The Digital SLR Revolution |
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119 | (3) |
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Ten reasons why digital SLRs are cool |
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119 | (1) |
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Some digital SLR considerations |
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119 | (3) |
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A Dozen Exotic Digital Camera Features |
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122 | (1) |
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123 | (2) |
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Setting Up a Computer for Digital Photography |
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125 | (16) |
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126 | (4) |
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What Equipment Do You Need? |
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130 | (1) |
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Determining How Much Memory You Need |
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131 | (1) |
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132 | (2) |
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132 | (1) |
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133 | (1) |
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134 | (2) |
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134 | (1) |
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134 | (1) |
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134 | (1) |
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135 | (1) |
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Avoiding Microprocessor No-brainers |
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136 | (1) |
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Determining What's Most Important |
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137 | (2) |
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Choosing Pointing Devices |
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139 | (2) |
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Getting Your Picture from the Camera to the Digital Darkroom |
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141 | (22) |
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Making the Connection between Camera and Computer |
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142 | (14) |
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143 | (6) |
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149 | (7) |
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Transferring Images from Camera to Computer |
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156 | (7) |
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Transferring pictures using camera utility software |
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156 | (2) |
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Copying files to your hard drive |
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158 | (2) |
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Importing images into image editing software |
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160 | (3) |
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Adding a Printer and Scanner |
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163 | (16) |
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164 | (1) |
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Choosing a Printer for Digital Photography |
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165 | (3) |
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168 | (11) |
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169 | (1) |
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Scanner prices and features |
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170 | (2) |
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What scanner features do you need? |
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172 | (4) |
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Resolution mythconceptions |
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176 | (1) |
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177 | (2) |
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Picking Up Some Accessories |
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179 | (18) |
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Getting Support from Tripods |
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180 | (6) |
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182 | (1) |
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Scrutinizing tripod features |
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183 | (3) |
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Checking out tripod alternatives |
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186 | (1) |
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Making Good Use of an Electronic Flash |
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186 | (6) |
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Types of electronic flash units |
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188 | (1) |
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What to look for in a photographic slave flash |
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189 | (2) |
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Lighting/flash accessories |
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191 | (1) |
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192 | (1) |
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Acquiring Other Useful Devices |
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192 | (5) |
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192 | (1) |
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193 | (1) |
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193 | (1) |
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Waterproof casings and housings |
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194 | (1) |
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194 | (2) |
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196 | (1) |
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Book III: Taking Great Pictures |
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197 | (204) |
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Tools and Techniques of Composition |
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199 | (26) |
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Photo Composition: The Big Picture |
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199 | (2) |
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Visualizing a Concept for Your Picture |
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201 | (2) |
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What do you want your image to say? |
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201 | (1) |
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Where will the image be used? |
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202 | (1) |
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Whom are you creating the image for? |
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202 | (1) |
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Selecting a Subject and a Center of Interest |
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203 | (3) |
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Narrowing down your subject matter |
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203 | (1) |
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Choosing one main subject |
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203 | (2) |
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205 | (1) |
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206 | (3) |
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209 | (3) |
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Choosing subject distance |
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209 | (1) |
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210 | (2) |
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212 | (3) |
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Placing important objects at imaginary junction points |
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212 | (1) |
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When to break the Rule of Thirds |
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213 | (2) |
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Some Compositional Guidelines |
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215 | (1) |
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Using Straight Lines and Curves |
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216 | (3) |
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219 | (1) |
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219 | (2) |
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What's That Tree Doing Growing Out of My Head? |
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221 | (4) |
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225 | (24) |
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Defining Macro Photography |
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226 | (2) |
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Why Digital Macro Photography Is Cool |
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228 | (1) |
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229 | (1) |
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Setting Up Your Macro Studio |
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230 | (10) |
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231 | (2) |
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233 | (2) |
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235 | (3) |
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238 | (2) |
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Shooting Tips for Macro Photography |
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240 | (6) |
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Setting up your subject and background |
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240 | (1) |
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240 | (1) |
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241 | (1) |
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242 | (2) |
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244 | (2) |
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Digital SLRs and Close-Up Photography |
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246 | (3) |
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249 | (48) |
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Capturing Satisfying Portraits |
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250 | (2) |
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Shooting in the Studio or on Location |
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252 | (2) |
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Setting Up an Informal Portrait Studio |
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254 | (14) |
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254 | (2) |
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Selecting supports for lights, camera, and subjects |
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256 | (1) |
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257 | (4) |
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Professional studio lighting |
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261 | (1) |
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262 | (6) |
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268 | (9) |
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Using multiple light sources |
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269 | (1) |
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Arranging a multiple-light setup |
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269 | (8) |
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Basic Lighting Techniques |
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277 | (1) |
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Advanced Lighting Techniques |
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278 | (7) |
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278 | (2) |
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280 | (2) |
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282 | (1) |
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282 | (3) |
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Taking Your First Portraits |
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285 | (3) |
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288 | (6) |
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289 | (4) |
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293 | (1) |
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293 | (1) |
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Advantages of Digital Cameras |
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294 | (3) |
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297 | (34) |
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Finding Outlets for Print Publication |
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298 | (4) |
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300 | (1) |
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Understanding what newspapers need |
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300 | (2) |
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Working as a Professional Newspaper Photographer |
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302 | (4) |
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Being a stringer versus freelancing |
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303 | (3) |
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Getting your foot in the door |
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306 | (1) |
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Magazines and Magazine-Like Markets |
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306 | (7) |
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310 | (2) |
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312 | (1) |
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313 | (4) |
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Understanding group photography basics |
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313 | (1) |
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Photographing groups of two to two dozen |
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314 | (1) |
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Composing effective group shots |
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315 | (1) |
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315 | (2) |
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317 | (9) |
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317 | (3) |
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320 | (1) |
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Arranging a PR event worth photographing |
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321 | (1) |
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321 | (1) |
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Producing placeable PR photos |
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322 | (1) |
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323 | (1) |
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323 | (1) |
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Preparing the cutline for submission |
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324 | (2) |
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326 | (1) |
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326 | (1) |
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326 | (5) |
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Product shot opportunities |
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327 | (1) |
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328 | (3) |
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Sports and Action Photography |
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331 | (34) |
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331 | (10) |
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Digital camera features and action photography |
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333 | (5) |
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Digital cameras and latency |
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338 | (3) |
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Taking Great Sports Photos |
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341 | (11) |
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Choosing your sport and your spot |
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342 | (8) |
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Winter sports: A special case |
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350 | (2) |
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Taking Your First Action Photo |
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352 | (8) |
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352 | (1) |
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Understanding how to stop action |
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353 | (1) |
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Stopping action with slow shutter speeds |
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354 | (2) |
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356 | (1) |
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Action approaching the camera |
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357 | (1) |
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358 | (2) |
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360 | (5) |
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Capturing great sports moments |
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360 | (1) |
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Setting up for predictable action |
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360 | (3) |
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363 | (2) |
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365 | (36) |
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365 | (13) |
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Selecting a camera for your needs |
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365 | (3) |
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Choosing key camera features |
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368 | (1) |
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Choosing lenses for travel |
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369 | (1) |
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369 | (1) |
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Choosing an electronic flash |
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370 | (2) |
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372 | (2) |
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Keeping your camera powered |
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374 | (2) |
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376 | (2) |
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Getting Ready to Go on the Road |
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378 | (1) |
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Meeting Your Storage Requirements |
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379 | (1) |
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Tried-and-True Travel Photography Techniques |
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380 | (13) |
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380 | (2) |
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Capturing monuments and architecture |
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382 | (4) |
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386 | (1) |
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Shooting adventure sports |
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387 | (1) |
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388 | (3) |
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Capturing people and their places |
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391 | (2) |
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393 | (8) |
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393 | (1) |
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394 | (1) |
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395 | (6) |
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Book IV: Basics of Image Editing |
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401 | (108) |
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What You Can and Can't Do with Image Editing Tools |
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403 | (38) |
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403 | (5) |
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You can't add color that isn't there |
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404 | (1) |
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405 | (2) |
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Causes of color catastrophe |
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407 | (1) |
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Adjusting Brightness and Contrast |
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408 | (8) |
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Murky shadows and washed-out highlights |
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410 | (3) |
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413 | (1) |
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414 | (2) |
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Using Blurring and Sharpening Tools |
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416 | (5) |
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Sharpening here and there |
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417 | (1) |
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418 | (3) |
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Repairing Damage, Small and Large |
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421 | (8) |
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Removing artifacts (or tiny blemishes) |
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421 | (4) |
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Spackling over more serious damage |
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425 | (4) |
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Removing Unwanted Image Content |
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429 | (5) |
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Delete your ex-brother-in-law |
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429 | (1) |
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430 | (4) |
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434 | (7) |
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Pasting content from other images |
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435 | (1) |
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Using layers to create overlapping images |
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436 | (2) |
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Adjusting opacity for interesting effects |
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438 | (3) |
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441 | (38) |
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Checking Out Your Editing Toolkit |
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441 | (3) |
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444 | (12) |
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Customizing your Brush and Pencil tools |
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445 | (1) |
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446 | (3) |
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449 | (6) |
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Using the Eraser as a painting tool |
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455 | (1) |
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456 | (13) |
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Making geometric selections |
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456 | (5) |
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Drawing freeform selections |
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461 | (4) |
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Selecting pixels by color with the Magic Wand |
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465 | (4) |
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469 | (4) |
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Smudging and smearing your colors |
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469 | (1) |
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470 | (1) |
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Using the Scratch Remover |
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471 | (2) |
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473 | (6) |
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Using the Sponge tool to add and remove color |
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473 | (1) |
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Adjusting lights and darks |
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474 | (5) |
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Choosing the Right Image Editor for You |
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479 | (30) |
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Looking at Popular Image Editors: The Basics |
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479 | (2) |
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Adobe Photoshop --- Alone at the Top |
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481 | (4) |
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What's good about Photoshop |
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482 | (1) |
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What's not so good about Photoshop |
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482 | (1) |
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What you can do with Photoshop |
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483 | (2) |
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485 | (1) |
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Second-Tier Image Editors |
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485 | (17) |
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486 | (2) |
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488 | (2) |
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490 | (3) |
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493 | (3) |
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496 | (3) |
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499 | (3) |
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502 | (4) |
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Microsoft image editing software |
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502 | (2) |
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504 | (1) |
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505 | (1) |
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Deciding Whether You Need More Than One Image Editor |
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506 | (3) |
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Book V: Editing with Adobe Photoshop and Photoshop Elements |
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509 | (98) |
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Latest Features of Photoshop Elements 3.0 and Photoshop Elements |
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511 | (6) |
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The Relationship between Photoshop and Photoshop Elements |
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511 | (1) |
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What's New in Photoshop cs and Elements |
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512 | (2) |
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What's New in Elements 3.0 |
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514 | (2) |
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What's New in Photoshop cs |
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516 | (1) |
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517 | (18) |
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Making Simple Selections with the Marquee Tools |
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517 | (6) |
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Selecting geometric shapes |
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518 | (2) |
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Selecting single-pixel rows and columns |
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520 | (1) |
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Adding to, reducing, and combining selections |
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520 | (3) |
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Snagging Irregular Shapes with the Lasso Tools |
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523 | (4) |
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Selecting freeform shapes |
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524 | (2) |
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526 | (1) |
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The Magic Wand Tool's Digital Prestidigitation |
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527 | (2) |
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Making and adjusting selections based on color |
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528 | (1) |
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529 | (1) |
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Specialized Selection Tools |
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529 | (3) |
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Using the Selection Brush tool |
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529 | (2) |
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Selecting in Quick Mask mode |
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531 | (1) |
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532 | (3) |
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Brushing Away Problems with Digital Photos |
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535 | (12) |
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Photoshop and Photoshop Elements' Painting and Drawing Tools |
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535 | (1) |
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Working with Brushes and Pencils |
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536 | (3) |
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Painting with the Brush tool |
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537 | (2) |
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Working with the Pencil tool |
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539 | (1) |
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Customizing Your Brushes and Pencils |
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539 | (8) |
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Choosing the right size and shape |
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541 | (4) |
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Obtaining third-party brush sets |
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545 | (2) |
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547 | (24) |
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548 | (3) |
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Using the Dodge tool to lighten tones |
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548 | (1) |
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Burning your image to darken areas |
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549 | (2) |
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Using Smudging, Sharpening, and Blurring Tools |
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551 | (8) |
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Finger painting to blend colors and textures |
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552 | (2) |
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Using the Sharpen tool to add detail |
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554 | (2) |
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Blurring some or all of your image |
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556 | (3) |
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Finding Relief with the Healing Tools |
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559 | (12) |
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559 | (3) |
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Working with the Patch tool |
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562 | (2) |
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Cloning content to cover damage and unwanted content |
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564 | (3) |
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567 | (4) |
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Correcting Faded, Funny, and Funky Colors |
|
|
571 | (14) |
|
Using Automated Tools in Photoshop and Elements |
|
|
571 | (2) |
|
Auto correction in Photoshop |
|
|
572 | (1) |
|
Auto correction in Photoshop Elements |
|
|
572 | (1) |
|
|
573 | (7) |
|
|
573 | (1) |
|
Using the Variations dialog box |
|
|
574 | (2) |
|
|
576 | (1) |
|
|
577 | (2) |
|
Displaying and using channels |
|
|
579 | (1) |
|
Working with Color Intensity and Quality |
|
|
580 | (5) |
|
Increasing and decreasing color intensity |
|
|
581 | (2) |
|
Tinkering with brightness and contrast |
|
|
583 | (1) |
|
|
583 | (2) |
|
Restoring and Enhancing Photos with Filters and Special Effects |
|
|
585 | (22) |
|
Working with Photoshop and Photoshop Elements' Filters |
|
|
586 | (15) |
|
Understanding how filters work |
|
|
586 | (2) |
|
Fixing flaws with corrective filters |
|
|
588 | (5) |
|
Turning photos into paintings with artistic filters |
|
|
593 | (3) |
|
Going a little crazy with special effects filters |
|
|
596 | (5) |
|
The Photoshop Elements' Effects Tab Palette |
|
|
601 | (3) |
|
Displaying and moving the tab |
|
|
603 | (1) |
|
|
603 | (1) |
|
Getting Your Hands on Third-Party Filters |
|
|
604 | (3) |
|
Book VI: Restoring Old Photos |
|
|
607 | (48) |
|
|
609 | (14) |
|
Prepping an Image for a Scan |
|
|
609 | (2) |
|
Working with Scanner Settings |
|
|
611 | (12) |
|
|
611 | (4) |
|
Interpolate, schmerpolate |
|
|
615 | (2) |
|
|
617 | (1) |
|
|
618 | (1) |
|
|
618 | (1) |
|
|
619 | (4) |
|
Restoring Images Captured from Slides, Negatives, and Other Formats |
|
|
623 | (14) |
|
|
624 | (2) |
|
|
626 | (3) |
|
|
626 | (1) |
|
|
626 | (1) |
|
Use a transparency-capable flatbed |
|
|
627 | (2) |
|
Try the Rube Goldberg approach |
|
|
629 | (1) |
|
|
629 | (4) |
|
|
629 | (1) |
|
|
630 | (1) |
|
|
630 | (1) |
|
Black-and-white or color negatives |
|
|
631 | (1) |
|
|
632 | (1) |
|
|
633 | (4) |
|
|
633 | (2) |
|
|
635 | (2) |
|
Some Common Fixes for Vintage Photos |
|
|
637 | (18) |
|
Repairing Vintage Photos: The Basics |
|
|
638 | (2) |
|
Replacing Depth and Detail |
|
|
640 | (5) |
|
Shedding light on the subject |
|
|
641 | (1) |
|
Don't be afraid of dark shadows |
|
|
641 | (2) |
|
Creating focus by sharpening images |
|
|
643 | (2) |
|
|
645 | (4) |
|
|
645 | (1) |
|
|
646 | (1) |
|
Adding color adjustment layers |
|
|
647 | (2) |
|
Getting Nostalgic with Sepia Tones |
|
|
649 | (3) |
|
Evening out existing sepia tones |
|
|
650 | (1) |
|
Converting a black-and-white photo to sepia tone |
|
|
650 | (2) |
|
Rip! Replacing Torn or Missing Content |
|
|
652 | (3) |
|
Book VII: Printing and Sharing Your Digital Images |
|
|
655 | (26) |
|
Printing Your Final Result |
|
|
657 | (10) |
|
|
657 | (2) |
|
Evaluating Your Printing Options |
|
|
659 | (1) |
|
|
659 | (1) |
|
|
659 | (1) |
|
|
660 | (1) |
|
Touring the Print Process |
|
|
660 | (4) |
|
Preventing surprises with Print Preview |
|
|
661 | (1) |
|
Understanding your output options |
|
|
662 | (1) |
|
|
663 | (1) |
|
Using Professional Printing Services |
|
|
664 | (3) |
|
Choosing a service bureau |
|
|
664 | (1) |
|
Tell them what you want, what you really, really want |
|
|
665 | (1) |
|
Knowing when you need a service bureau |
|
|
666 | (1) |
|
Sharing Pictures on the Web |
|
|
667 | (14) |
|
Appreciating the Advantages of Web Sharing |
|
|
667 | (4) |
|
Sharing your personal photos |
|
|
669 | (1) |
|
Sharing images with business associates |
|
|
670 | (1) |
|
Choosing a Sharing System |
|
|
671 | (10) |
|
Using commercial sharing sites and services |
|
|
672 | (1) |
|
Using You've Got Pictures and Kodak Picture Center with America Online |
|
|
673 | (3) |
|
|
676 | (5) |
Glossary |
|
681 | (22) |
Index |
|
703 | |