Digital Drawing for Landscape Architecture : Contemporary Techniques and Tools for Digital Representation in Site Design
by Bradley Cantrell; Wes MichaelsRent Textbook
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Summary
Table of Contents
| Foreword | |
| Preface | |
| Acknowledgments | |
| Concepts | |
| Introduction/Overview | |
| Computing Basics | |
| Hardware | |
| Software | |
| Workspace | |
| Analog and Digital Rendering Comparisons | |
| Efficiency and Editability | |
| Commonalities and Parallels | |
| Hybrid Techniques | |
| Basic Overview of Digital Concepts | |
| Raster-Based Programs | |
| Resolution in Raster Images | |
| Upsampling and Downsampling | |
| Vector Images | |
| Using Raster Images in Vector-Based Programs | |
| Color | |
| Digital Drawings in the Design Process | |
| Applications for Specific Tasks | |
| Moving between Analog and Digital Techniques | |
| Base Imagery | |
| Setting up the Document | |
| Drawings at Multiple Sizes | |
| How Drawings Move through the Digital Workflow | |
| Setting the Image Size | |
| Base Imagery and Scaling | |
| Aerial Photography | |
| Obtaining the Aerial Photograph | |
| Tiling Aerial Photographs in Photoshop | |
| Manual Method | |
| Tiling Photographs with Photomerge | |
| Scaling the Aerial Photograph | |
| Calculator Method | |
| Scale by Reference Method | |
| Pixel Conversion Method | |
| Adjusting the Hue, Saturation, and Lightness of Base Imagery | |
| Using CAD Linework as a Base | |
| Exporting the CAD Linework as a PDF | |
| Hand-Drawn Linework | |
| Sketches in CAD | |
| Using Magic Wand and Color Range Selections | |
| Using the Color Range Selection Tool | |
| Source Imagery/Entourage | |
| Selections | |
| Manual Methods | |
| Partial Selections | |
| Design Diagrams | |
| Introduction to Diagrams | |
| Passive Diagramming | |
| Active Diagramming | |
| Communication | |
| Abstraction | |
| Distilling and Culling | |
| Diagram Types | |
| Setting up an Illustrator Drawing | |
| Document Size/Color Mode | |
| Based Programs for Design Diagrams | |
| Importing an Aerial Photo into Illustrator | |
| Link versus Embed | |
| Linework in Illustrator | |
| Shape Tools | |
| Pen Tool | |
| Editing Tools | |
| Appearance of Lines and Shapes | |
| Stroke Weight and Dashed Lines | |
| Transparency | |
| Appearance Palette | |
| Custom Linework | |
| Creating a Pattern Brush from Shapes | |
| Altering the Pattern Brush | |
| Updating the Pattern Brush with New Shapes | |
| Symbols | |
| Creating Symbols from Custom Artwork | |
| Updating/Replacing Symbols | |
| Managing Symbols | |
| Creating Clipping Masks for Image Symbols | |
| Text, Leaders, and Page Layout | |
| Text Tools | |
| Point Text | |
| Paragraph Text | |
| Differences between Point Text and Paragraph Text | |
| Formatting Text | |
| Custom Type Tools | |
| Creating Text with a Clipping Mask | |
| Leaders | |
| Effects versus Filters | |
| Layout | |
| Exploded Axonometric Diagrams | |
| Creating an Exploded Axonometric Diagram | |
| Plan/Section Renderings | |
| Introduction to Renderings | |
| Design Process | |
| Issues in Digital Media | |
| Illustrative Components | |
| Importing PDF Linework | |
| PDF Linework | |
| Adjusting the Appearance of Linework | |
| Applying Color to a Plan Rendering | |
| Applying Color with the Paint Bucket Tool | |
| Applying Color Using Adjustment Layers | |
| Saving Channels | |
| Shading Techniques | |
| Selecting Fills | |
| Saving Selections | |
| Automating the Shading of Edges | |
| Creating Textures | |
| Creating a Texture from an Existing Photograph | |
| Creating a Seamless Pattern Using the Offset Filter | |
| Creating the Pattern and Applying It to the Rendering | |
| Paint Bucket and Pattern Stamp | |
| Pattern Overlay | |
| Managing Patterns | |
| Texturing with Filters | |
| Brushes | |
| Standard Brushes | |
| Custom Brushes | |
| Plan Symbols with Smart Objects | |
| Creating Smart Objects | |
| Duplicating and Editing Smart Objects | |
| Managing Smart Objects | |
| Smart Filters | |
| Managing Large Photoshop Files | |
| Flattening Layers | |
| Saving Layer Groups for Flattening | |
| Printing Issues | |
| Creating a Section Elevation | |
| Methods | |
| Perspectives | |
| Perspective Illustration | |
| Perspective Illustrations, Digital Sketches, and Design Communication | |
| Creating a Base for a Perspective Drawing | |
| Composition | |
| Virtual Cameras | |
| Exporting and Rendering | |
| Atmospheric Perspective | |
| Detail | |
| Color | |
| Contrast | |
| Brightness | |
| (2D) Photoshop Adjustment Layers, Opacity, and Screening | |
| (2D/3D) Z-Depth | |
| (3D) Atmosphere/Environment | |
| Understanding Level of Detail | |
| Camera Match 3D Object to Site Photo | |
| Camera Match with 3ds Max 2009 | |
| Match Photo with Google SketchUp | |
| Create a Photoshop Perspective Collage | |
| Methods | |
| Developing a Perspective Image in Photoshop from a 3D Model | |
| Base Model | |
| Adding Site Context | |
| Textures | |
| Adding Vegetation | |
| Adding Scale Figures | |
| Bibliography | |
| Image Credits | |
| Index | |
| Table of Contents provided by Publisher. All Rights Reserved. |
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