Different Every Night : Freeing the Actor

by
Format: Paperback
Pub. Date: 2008-04-01
Publisher(s): Consortium Book Sales & Dist
List Price: $30.95

Buy New

Usually Ships in 5-7 Business Days
$30.92

Rent Textbook

Select for Price
There was a problem. Please try again later.

Used Textbook

We're Sorry
Sold Out

eTextbook

We're Sorry
Not Available

How Marketplace Works:

  • This item is offered by an independent seller and not shipped from our warehouse
  • Item details like edition and cover design may differ from our description; see seller's comments before ordering.
  • Sellers much confirm and ship within two business days; otherwise, the order will be cancelled and refunded.
  • Marketplace purchases cannot be returned to eCampus.com. Contact the seller directly for inquiries; if no response within two days, contact customer service.
  • Additional shipping costs apply to Marketplace purchases. Review shipping costs at checkout.

Summary

This book is the culmination of a lifetime's work in the theatre. In it Mike Alfreds dares to do what very few directors other than Stanislavsky have done: he takes us into the rehearsal room and describes an immensely detailed methodology for the actor to bring the text to life, and, crucially, to keep it alive right up to the final performance. Indeed, he demonstrates that by investing in the truth of every moment, the actor can ensure that a performance will be 'different every night'.

Table of Contents

Forewordp. xi
A Practical Guidep. xvii
Health and Safety Warningsp. xxi
Introductions
Curriculum Vitaep. 3
The Primacy of the Actorp. 12
Permanent Trainingp. 27
Concepts
Process v. Resultsp. 37
Want! Do! Feel!p. 42
Want: Objectivesp. 48
Scene Objectivesp. 49
Through-Linesp. 56
Super-Objectivesp. 58
Counter-Objectivesp. 63
Do: Actionsp. 64
Beatsp. 78
Obstaclesp. 84
The Hierarchy of Actions and Objectivesp. 86
Feel: Emotionp. 91
Given Circumstancesp. 104
Preparation
The Purpose of Preparationp. 111
Preparing the Textp. 112
Deconstructing the Textp. 120
Titling the Actsp. 121
Sectionsp. 124
Unitsp. 125
Actionsp. 133
A Pyramid of Titlesp. 139
Preparing the Rehearsalsp. 141
Castingp. 150
The Work: Rehearsal, Production, Performance
Rehearsal: Some Basic Principlesp. 157
The Textp. 163
Actioningp. 164
Text - No Text - Textp. 175
Feeding-Inp. 178
Points of Concentrationp. 183
Logic Textp. 196
Character
The Starting Pointp. 203
The Character Listsp. 206
Character Developmentp. 224
Techniques Towards Characterisationp. 229
The Actor and the Rolep. 241
The World of the Play
Discovering New Worldsp. 245
Starting Pointsp. 249
Self-Blockingp. 261
Practice: A Handful of Dust; Marriagep. 265
Bringing the Strands Togetherp. 279
Productionp. 286
Performancep. 295
Unclogging the Work
Clearing the Decks for Actionp. 303
Bad Behaviourp. 304
Actors and Directorsp. 313
Actors' Fearsp. 319
Directors' Fearsp. 329
Rigourp. 335
Coda: Summing Up
Recapitulationp. 343
Glossaryp. 347
Further Readingp. 359
Table of Contents provided by Ingram. All Rights Reserved.

An electronic version of this book is available through VitalSource.

This book is viewable on PC, Mac, iPhone, iPad, iPod Touch, and most smartphones.

By purchasing, you will be able to view this book online, as well as download it, for the chosen number of days.

Digital License

You are licensing a digital product for a set duration. Durations are set forth in the product description, with "Lifetime" typically meaning five (5) years of online access and permanent download to a supported device. All licenses are non-transferable.

More details can be found here.

A downloadable version of this book is available through the eCampus Reader or compatible Adobe readers.

Applications are available on iOS, Android, PC, Mac, and Windows Mobile platforms.

Please view the compatibility matrix prior to purchase.