Different Every Night : Freeing the Actor
by Alfreds, MikeBuy New
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Summary
Table of Contents
| Foreword | p. xi |
| A Practical Guide | p. xvii |
| Health and Safety Warnings | p. xxi |
| Introductions | |
| Curriculum Vitae | p. 3 |
| The Primacy of the Actor | p. 12 |
| Permanent Training | p. 27 |
| Concepts | |
| Process v. Results | p. 37 |
| Want! Do! Feel! | p. 42 |
| Want: Objectives | p. 48 |
| Scene Objectives | p. 49 |
| Through-Lines | p. 56 |
| Super-Objectives | p. 58 |
| Counter-Objectives | p. 63 |
| Do: Actions | p. 64 |
| Beats | p. 78 |
| Obstacles | p. 84 |
| The Hierarchy of Actions and Objectives | p. 86 |
| Feel: Emotion | p. 91 |
| Given Circumstances | p. 104 |
| Preparation | |
| The Purpose of Preparation | p. 111 |
| Preparing the Text | p. 112 |
| Deconstructing the Text | p. 120 |
| Titling the Acts | p. 121 |
| Sections | p. 124 |
| Units | p. 125 |
| Actions | p. 133 |
| A Pyramid of Titles | p. 139 |
| Preparing the Rehearsals | p. 141 |
| Casting | p. 150 |
| The Work: Rehearsal, Production, Performance | |
| Rehearsal: Some Basic Principles | p. 157 |
| The Text | p. 163 |
| Actioning | p. 164 |
| Text - No Text - Text | p. 175 |
| Feeding-In | p. 178 |
| Points of Concentration | p. 183 |
| Logic Text | p. 196 |
| Character | |
| The Starting Point | p. 203 |
| The Character Lists | p. 206 |
| Character Development | p. 224 |
| Techniques Towards Characterisation | p. 229 |
| The Actor and the Role | p. 241 |
| The World of the Play | |
| Discovering New Worlds | p. 245 |
| Starting Points | p. 249 |
| Self-Blocking | p. 261 |
| Practice: A Handful of Dust; Marriage | p. 265 |
| Bringing the Strands Together | p. 279 |
| Production | p. 286 |
| Performance | p. 295 |
| Unclogging the Work | |
| Clearing the Decks for Action | p. 303 |
| Bad Behaviour | p. 304 |
| Actors and Directors | p. 313 |
| Actors' Fears | p. 319 |
| Directors' Fears | p. 329 |
| Rigour | p. 335 |
| Coda: Summing Up | |
| Recapitulation | p. 343 |
| Glossary | p. 347 |
| Further Reading | p. 359 |
| Table of Contents provided by Ingram. All Rights Reserved. |
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