Diaspora Memory Place

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Format: Paperback
Pub. Date: 2008-07-15
Publisher(s): Prestel Pub
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Summary

"A presentation and analysis of the work of three of the most exciting African diaspora artists of our time - David Hammons, Maria Magdalena Campos-Pons, and Pamela Z. A series of essays by scholars and critics examine three site-specific installation and performances originally concieved by these artists for Dak'Art 2004, the Biennale of Contemporary African Art in Dakar, Senegal."--BOOK JACKET.

Table of Contents

Spirit Writingp. 1
Diaspora/Memory/Place: Three Artists/Three Projectsp. 29
Diaspora/Memory/Place
Dakar: From Yesterday to Todayp. 48
Dakar: Memories for Another Passagep. 62
The Uses of Diasporap. 78
Place-Making or in the "Wrong Place": Contemporary Art and the Postcolonial Conditionp. 106
The Darkest Africa Syndrome and the Idea of Africa: Notes Toward a Global Vision of Africa and Its Modernist Practicep. 130
3 x 3:Three Artists/Three Projects
David Hammons/Dak'Art 2004 Sheep Rafflep. 137
Dak'Art 2004 Sheep Rafflep. 138
Sheep and Circumstance: Hammons, Africa, and the Exit Art Installationp. 156
Chromatic Shadows, So What? Notes Toward Better Reception of David Hammons's Signalsp. 170
An Elective Affinity: David Hammons's Hidden from View and Made in the People's Republic of Harlemp. 196
Maria Magdalena Campos-Pons/Threads of Memoryp. 211
Threads of Memory - Invisible Linesp. 212
Interiority or Hill-Sided Moonp. 220
Patterns of Remembrancep. 230
Conversation with Maria Magdalena Campos-Ponsp. 244
Pamela Z/Just Dustp. 255
A Sound Argument Against the Autonomy of "The Visual"p. 256
The Virtual Discourses of Pamela Zp. 266
"Did You Mark Other?" Transnational Pedagogy in the Sound Art of Pamela Zp. 290
Conversation with Pamela Zp. 302
Artists' Biographiesp. 314
Notes on Contributorsp. 316
Acknowledgmentsp. 319
Table of Contents provided by Blackwell. All Rights Reserved.

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