
Diaspora Memory Place
by Hassan, Salah M.Rent Book
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Summary
Table of Contents
Spirit Writing | p. 1 |
Diaspora/Memory/Place: Three Artists/Three Projects | p. 29 |
Diaspora/Memory/Place | |
Dakar: From Yesterday to Today | p. 48 |
Dakar: Memories for Another Passage | p. 62 |
The Uses of Diaspora | p. 78 |
Place-Making or in the "Wrong Place": Contemporary Art and the Postcolonial Condition | p. 106 |
The Darkest Africa Syndrome and the Idea of Africa: Notes Toward a Global Vision of Africa and Its Modernist Practice | p. 130 |
3 x 3:Three Artists/Three Projects | |
David Hammons/Dak'Art 2004 Sheep Raffle | p. 137 |
Dak'Art 2004 Sheep Raffle | p. 138 |
Sheep and Circumstance: Hammons, Africa, and the Exit Art Installation | p. 156 |
Chromatic Shadows, So What? Notes Toward Better Reception of David Hammons's Signals | p. 170 |
An Elective Affinity: David Hammons's Hidden from View and Made in the People's Republic of Harlem | p. 196 |
Maria Magdalena Campos-Pons/Threads of Memory | p. 211 |
Threads of Memory - Invisible Lines | p. 212 |
Interiority or Hill-Sided Moon | p. 220 |
Patterns of Remembrance | p. 230 |
Conversation with Maria Magdalena Campos-Pons | p. 244 |
Pamela Z/Just Dust | p. 255 |
A Sound Argument Against the Autonomy of "The Visual" | p. 256 |
The Virtual Discourses of Pamela Z | p. 266 |
"Did You Mark Other?" Transnational Pedagogy in the Sound Art of Pamela Z | p. 290 |
Conversation with Pamela Z | p. 302 |
Artists' Biographies | p. 314 |
Notes on Contributors | p. 316 |
Acknowledgments | p. 319 |
Table of Contents provided by Blackwell. All Rights Reserved. |
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