Summary
The book represents a continuation of research begun by Cooper in Hong Kong in the early 1970s among expatriate artisan furniture makers and woodcarvers from Dongyang County, Zhejiang Province. He now sets out to investigate the fate of the same craft in the hands of the same folk under totally different socio-economic conditions in their native county in communist People's Republic of China. Such a focus makes possible the isolation of systemic features of the socio-economic environment that influenced the evolution of the mode of production, with technical requirements of production and regional/ethnic variability held more or less constant.
Author Biography
Eugene Cooper is Associate Professor of Anthropology and Chinese Studies at the University of Southern California
Table of Contents
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vii | (2) |
Introduction |
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ix | (10) |
Abbreviations |
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xix | |
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3 | (38) |
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2. Traditional Woodcarving and Its Revolutionary Transformation--The First Transition of Tradition |
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41 | (29) |
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70 | (18) |
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88 | (21) |
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109 | (15) |
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124 | (14) |
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7. The Dongyang Woodcarving Factory and Economic Reform--The Second Transition of Tradition |
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138 | (30) |
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8. Conclusion--Flexible Production in Dongyang? |
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168 | (15) |
Appendices |
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183 | (44) |
Appendix 1: Ham Production |
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183 | (8) |
Appendix 2: Camphor Tree Mothers |
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191 | (3) |
Appendix 3: The Huichang (Country Fair) Cycle |
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194 | (15) |
Appendix 4: Specimen Cheng bao Contract |
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209 | (7) |
Appendix 5: The Thirteen Room House |
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216 | (4) |
Appendix 6: Eight Immortals Cross the Sea (One Version of the Myth in Translation) |
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220 | (7) |
Glossary |
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227 | (26) |
Bibliography |
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253 | (10) |
Index |
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263 | |