Acknowledgements |
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xiii | |
Introduction |
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1 | (4) |
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5 | (1) |
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6 | (1) |
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6 | (1) |
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7 | (1) |
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7 | (1) |
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8 | (1) |
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9 | (1) |
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Are you competent or lucky? |
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9 | (2) |
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The Clock That Struck Thirteen: The Challenge of Sense Making |
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11 | (24) |
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13 | (4) |
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Hanged in the middle of the play |
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17 | (4) |
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The clock that struck twelve? |
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21 | (3) |
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The clock that really did strike thirteen |
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24 | (3) |
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27 | (1) |
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Turning a drama into a crisis |
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28 | (2) |
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30 | (5) |
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35 | (19) |
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The lantern and the mirror |
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36 | (2) |
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38 | (4) |
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42 | (1) |
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Divorce your husband without him noticing |
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43 | (3) |
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Sentence first, verdict later |
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46 | (1) |
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47 | (2) |
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49 | (1) |
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50 | (4) |
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The Dark Side of the Moon |
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54 | (23) |
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56 | (2) |
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58 | (2) |
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The dark side of the moon |
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60 | (3) |
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63 | (2) |
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65 | (2) |
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67 | (1) |
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Strangled by a dish of eels |
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68 | (3) |
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71 | (6) |
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Ghosts and Shadows: Reflections on Information and Decision Making |
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77 | (15) |
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Green light spells danger |
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79 | (1) |
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80 | (3) |
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83 | (3) |
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86 | (1) |
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87 | (5) |
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92 | (14) |
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94 | (3) |
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Why bad publicity is better than none |
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97 | (1) |
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97 | (2) |
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99 | (3) |
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102 | (2) |
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`Too soon deject and too soon elate' |
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104 | (1) |
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105 | (1) |
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The Essential Lie: Exploring the Myth-making Process |
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106 | (21) |
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109 | (2) |
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111 | (2) |
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113 | (1) |
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114 | (3) |
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Singing from the hymn sheet |
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117 | (1) |
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118 | (2) |
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The suspicion of witchcraft |
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120 | (3) |
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123 | (1) |
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`An intensity beyond belief' |
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124 | (3) |
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High Tides and Green Grass: The Illusion of Control |
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127 | (21) |
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128 | (2) |
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130 | (2) |
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132 | (1) |
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Illusion piles upon illusion |
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133 | (3) |
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Nothing succeeds like success? |
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136 | (1) |
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136 | (5) |
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141 | (1) |
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`Like a child's sparkler' |
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141 | (1) |
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`A fire the size of a cardboard box' |
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142 | (1) |
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`Make pumps 4-persons reported' |
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143 | (2) |
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High tides and green grass - in the desert |
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145 | (3) |
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Tales of the Unexpected: Exploring the Paradox of Consequence |
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148 | (24) |
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`Kickback': the paradox of consistency |
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149 | (3) |
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152 | (3) |
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The hunter becomes the hunted |
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155 | (1) |
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156 | (1) |
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The tale of the boilerman |
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157 | (2) |
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159 | (1) |
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160 | (2) |
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The tragedy of the commons |
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162 | (1) |
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`It was a crucial decision, it was the wrong one' |
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163 | (2) |
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165 | (5) |
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Chance has got nothing to do with it |
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170 | (2) |
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Riding a Tiger: Escalation in Decision Making |
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172 | (25) |
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174 | (3) |
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177 | (4) |
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181 | (2) |
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183 | (2) |
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185 | (2) |
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187 | (1) |
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188 | (5) |
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193 | (2) |
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195 | (2) |
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`An Ace of Success': Knocking at the Door of Fate |
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197 | (19) |
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198 | (10) |
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208 | (1) |
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209 | (1) |
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210 | (2) |
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Fiasco becomes inevitable |
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212 | (1) |
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213 | (1) |
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214 | (2) |
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216 | (24) |
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The scene is a dilapidated hairdresser's shop |
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217 | (3) |
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`I've only myself to keep' |
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220 | (1) |
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221 | (4) |
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225 | (2) |
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`Drifting idly towards eternity' |
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227 | (2) |
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229 | (3) |
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232 | (3) |
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235 | (2) |
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237 | (3) |
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The Art of Decision Making |
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240 | (41) |
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Rising to the level of events |
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240 | (5) |
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245 | (3) |
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248 | (1) |
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Take a walk on the wild side |
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249 | (1) |
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There's a rumour going round |
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250 | (1) |
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250 | (3) |
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253 | (1) |
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254 | (2) |
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256 | (1) |
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Fortune favours the brave |
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257 | (2) |
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The illusion of alternatives |
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259 | (1) |
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If at first you don't succeed... |
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260 | (1) |
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261 | (1) |
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262 | (1) |
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263 | (2) |
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265 | (2) |
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265 | (1) |
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268 | (1) |
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268 | (2) |
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Puzzled as well as beaten |
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270 | (2) |
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272 | (1) |
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272 | (2) |
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Why ghosts return to haunt |
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274 | (3) |
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277 | (1) |
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Sweet are the uses of adversity |
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278 | (1) |
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279 | (1) |
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280 | (1) |
Epilogue: A Dancing Star |
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281 | (6) |
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284 | (3) |
References |
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287 | (11) |
Index |
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298 | |