Introduction: Blues to You, Part II |
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ix | |
Part One: From Here to the Horizon: How It Goes |
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3 | (78) |
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Blues To Be Constitutional |
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5 | (16) |
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21 | (12) |
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Do the Afrocentric Hustle |
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33 | (12) |
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Who Are We? Where Did We Come From? Where Are We Going? |
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45 | (13) |
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58 | (8) |
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66 | (2) |
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68 | (2) |
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70 | (3) |
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73 | (2) |
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75 | (2) |
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Another Long Drink of the Blues: The Race Card in the Simpson Case |
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77 | (4) |
Part Two: For Ralphus |
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81 | (60) |
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83 | (2) |
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The Measure of the Oklahoma Kid |
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85 | (8) |
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Barbarous on Either Side: The New York Blues of Mr. Sammler's Planet |
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93 | (16) |
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An Introduction to Gerald Early |
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109 | (4) |
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Beyond American Tribalism |
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113 | (6) |
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How Did They Lift My Loot? Barbara Probst Solomon's Transcendent Detective Story |
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119 | (16) |
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An Introduction to Martha Bayles |
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135 | (4) |
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139 | (2) |
Part Three: The Mighty Sound and Swine and Transcendence |
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141 | (64) |
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143 | (3) |
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Beale Street Redux: Tom Cat Blues & Passing for White Blues |
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146 | (4) |
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150 | (16) |
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On the Corner: The Sellout of Miles Davis |
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166 | (20) |
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186 | (4) |
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190 | (2) |
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In This House, On This Morning |
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192 | (13) |
Part Four: Off the Wall: Movies |
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205 | (32) |
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Toward a Cinematic Language of Democracy |
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207 | (6) |
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213 | (8) |
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221 | (8) |
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Eggplant Blues: The Miscegenated Cinema of Quentin Tarantino |
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229 | (8) |
Part Five: Diminuendo and Crescendo: Out-Chorus on a Long, Long Line |
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237 | (21) |
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Melting Down the Iron Suits of History |
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239 | (19) |
Index |
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258 | |