Introduction |
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xv | |
How to Read This Book |
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xvi | |
For More Information |
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xvi | |
Acknowledgements |
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xvii | |
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1 | (28) |
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4 | (3) |
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4 | (1) |
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Teaching Yourself Photoshop |
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5 | (2) |
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7 | (3) |
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7 | (1) |
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7 | (1) |
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Migrating Your Preferences |
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8 | (1) |
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9 | (1) |
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10 | (2) |
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Make UI Text More Readable |
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10 | (1) |
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10 | (1) |
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Search for the Missing Shortcut Card |
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11 | (1) |
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11 | (1) |
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12 | (8) |
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Making Arrangements for Your Palettes |
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12 | (2) |
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14 | (1) |
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Navigate the Seas of Photoshop |
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14 | (1) |
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Organize Multiple Windows |
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15 | (1) |
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Preserve Windows when Zooming |
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16 | (1) |
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The Big Screen Experience |
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16 | (1) |
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Change the Window Background Color |
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17 | (1) |
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18 | (1) |
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Synchronize Multiple Windows |
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18 | (1) |
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19 | (1) |
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20 | (1) |
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Fun with Multiple Monitors |
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20 | (1) |
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21 | (2) |
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Match Color Across Monitors |
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21 | (1) |
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Reveal the Multiple Personalities of a Tool |
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21 | (1) |
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22 | (1) |
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22 | (1) |
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23 | (2) |
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23 | (1) |
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23 | (1) |
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Take the Fast Lane through Dialog Boxes |
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24 | (1) |
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Context Menus are Your Friend |
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24 | (1) |
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25 | (4) |
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Open Multiple Documents at Once |
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25 | (1) |
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25 | (1) |
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Renaming Many Files at Once |
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26 | (1) |
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Backing Up Your Preferences File |
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27 | (1) |
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Observe and Control Memory Usage |
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28 | (1) |
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29 | (20) |
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Creating and Opening Files |
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32 | (2) |
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32 | (1) |
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Making Your Own Document Presets |
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32 | (1) |
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Opening Digital Camera Photos |
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32 | (1) |
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Opening Images That Don't Want to Open |
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33 | (1) |
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Become a Screen Shot Gunslinger |
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34 | (1) |
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34 | (8) |
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The Deeper Meaning of Camera Raw |
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34 | (1) |
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When an Image Isn't in the Camera Raw Club |
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35 | (1) |
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Department of Redundancy Dept.? |
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36 | (1) |
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Cracking the Camera Raw Code |
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36 | (2) |
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Raw Files Cooked to Order |
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38 | (1) |
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39 | (1) |
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Door #1, #2, #3... or #4? |
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40 | (1) |
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Jane, Stop This Crazy Thing! |
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41 | (1) |
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42 | (7) |
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42 | (1) |
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Batch Scan Directly into Photoshop... Not! |
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42 | (2) |
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Turn a Negative into a Positive |
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44 | (1) |
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45 | (2) |
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47 | (1) |
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Mystery of the Awful Black-and-White Scans |
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48 | (1) |
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49 | (38) |
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52 | (6) |
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Don't Forget Your Resolutions |
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52 | (1) |
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Finding Out the File Resolution of an Image |
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53 | (1) |
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Kenneth, What's the Effective Resolution? |
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54 | (1) |
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To Resample or Not to Resample |
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55 | (1) |
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56 | (1) |
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Image Size vs. Canvas Size |
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57 | (1) |
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Resizing a Batch of Variously Sized Images |
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57 | (1) |
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58 | (6) |
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58 | (1) |
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Removing Perspective With the Crop Tool |
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59 | (1) |
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60 | (1) |
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Cropping with the Marquee Tool |
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60 | (1) |
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61 | (1) |
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Frame and pixel aspect ratios |
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62 | (1) |
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Changing the Frame Aspect Ratio |
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62 | (1) |
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Changing the Pixel Aspect Ratio |
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63 | (1) |
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64 | (14) |
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64 | (1) |
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Selecting with the Magnetic Lasso |
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64 | (1) |
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Polygon Lasso and Magnetic Lasso Tips |
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65 | (1) |
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Selecting by Color or Tone |
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65 | (1) |
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66 | (1) |
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67 | (1) |
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Remove a Difficult Background |
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68 | (2) |
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Sculpting Selections with Masks and Channels |
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70 | (1) |
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Edit a Selection as a Quick Mask |
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70 | (1) |
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Convert between Mask, Selections, and Channels |
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71 | (1) |
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Convert between Selections and Layer Masks |
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72 | (1) |
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Comparing Channels to Layer Masks |
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73 | (1) |
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Scaling, Rotating, or Distorting a Selection Marquee |
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74 | (1) |
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Spreading Out or Pulling In Selections |
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74 | (1) |
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Using a Selection as a Line Instead of an Area |
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75 | (1) |
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Blurring the Edge of a Selection |
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75 | (1) |
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Transferring a Selection to Another Document |
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76 | (1) |
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Selecting with Pen Tool Paths |
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77 | (1) |
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78 | (5) |
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Using Selections to Save Multiple Crops |
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78 | (1) |
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Rotating a Layer vs. the Entire Document |
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78 | (1) |
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Rotating an Image the Fast, Precise Way |
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78 | (2) |
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Rotating in Camera Raw or Bridge |
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80 | (1) |
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Instant, Direct Straightening |
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80 | (1) |
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Transforming with Total Freedom |
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81 | (1) |
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Correcting Lens Distortion |
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82 | (1) |
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83 | (4) |
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Duplicate an Entire Document |
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83 | (1) |
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84 | (1) |
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Duplicate a Path or Shape |
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84 | (1) |
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Create a Step-and-Repeat Layout |
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84 | (3) |
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87 | (38) |
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90 | (4) |
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90 | (1) |
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Checking an Image for Surface Defects |
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90 | (1) |
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Scrolling with a Laptop Keyboard |
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91 | (1) |
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Persistent Spots on Digital Camera Images |
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91 | (1) |
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91 | (2) |
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93 | (1) |
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94 | (1) |
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Making Global Corrections |
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94 | (10) |
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Removing Defects with Filters |
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94 | (2) |
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Correct Quickly with Auto Color |
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96 | (1) |
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Calibrating and Profiling Your Monitor |
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97 | (1) |
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The Curves Dialog Box in Five Minutes or Less |
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98 | (2) |
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Enhance Shadow and Highlight Details |
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100 | (1) |
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Punch Up an Image with Blending Modes |
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101 | (1) |
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Change Blending Modes with Shortcuts |
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101 | (1) |
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Blending Modes: Justify Your Existence |
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102 | (2) |
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104 | (5) |
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104 | (1) |
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Using Selections to Control Filters |
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105 | (1) |
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Dodge and Burn with Overlay Mode |
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105 | (1) |
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106 | (2) |
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Merge Edits by Changing History |
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108 | (1) |
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Maintaining Image Quality |
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109 | (2) |
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Keep Your Adjustments Neutral |
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109 | (1) |
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109 | (2) |
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Preserve Options with Adjustment Layers |
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111 | (1) |
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111 | (5) |
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Why Isn't the Future Here Yet? |
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112 | (1) |
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Moving Corrections to Other Images |
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112 | (1) |
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Using a Batch Action to Copy Corrections |
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112 | (1) |
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Storing Favorite Adjustment Layers |
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113 | (1) |
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Make Do with Low-Resolution Images |
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114 | (1) |
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Preserving a Document's History |
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114 | (1) |
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115 | (1) |
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116 | (4) |
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Basic Sharpening with Unsharp Mask |
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116 | (1) |
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Better Sharpening with Smart Sharpen |
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117 | (1) |
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Suppress Digital Noise when Sharpening |
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118 | (1) |
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119 | (1) |
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120 | (5) |
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I'd Like to See the Menu, Please |
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120 | (1) |
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Run Actions on a Batch of Images |
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120 | (1) |
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Cropping a Batch of Images |
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121 | (1) |
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Protect Originals From a Few Bad Actions |
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122 | (1) |
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Avoiding Batch Processing Errors |
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123 | (1) |
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Getting Some Good Keyboard Action |
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123 | (2) |
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125 | (16) |
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128 | (4) |
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128 | (1) |
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The Search for the Missing Link |
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128 | (1) |
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129 | (1) |
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130 | (1) |
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Conserving History with Layer Comps |
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131 | (1) |
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132 | (1) |
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Smarter than Your Average Guide |
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132 | (1) |
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Together We Can Rule the Document |
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132 | (1) |
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132 | (1) |
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133 | (4) |
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133 | (1) |
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Create Transparency with a Layer Mask |
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133 | (1) |
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Create Transparency with a Vector Mask |
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134 | (1) |
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135 | (1) |
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Masking Adjustment Layers |
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135 | (1) |
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136 | (1) |
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One Mask to Rule Them All |
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136 | (1) |
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137 | (4) |
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137 | (1) |
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Stitching Small Images Into One Big Image |
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138 | (1) |
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Identify Identical Layers |
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138 | (1) |
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Merging and Flattening Layers |
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139 | (2) |
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141 | (14) |
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Creating and Editing Type |
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144 | (3) |
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144 | (1) |
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Create Area or Point Type |
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144 | (1) |
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Getting a Handle on the Handles |
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145 | (1) |
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Import Text from Other Programs |
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145 | (1) |
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Moving Text Between Documents |
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146 | (1) |
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Quickly Select Ranges of Text |
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146 | (1) |
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146 | (1) |
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146 | (1) |
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147 | (8) |
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Previewing and Selecting Fonts |
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147 | (1) |
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148 | (1) |
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148 | (1) |
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Smoothing Type for Screen Display |
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149 | (1) |
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Setting Type for Web Pages |
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149 | (1) |
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Convert Type to a Selection |
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150 | (1) |
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150 | (1) |
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151 | (1) |
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Improving Word and Letter Spacing |
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152 | (1) |
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Preserving Vector Type in Other Programs |
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153 | (1) |
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Locating Adobe's Mystery Fonts |
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154 | (1) |
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155 | (26) |
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158 | (2) |
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Harden or Soften a Brush Edge |
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158 | (1) |
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158 | (1) |
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Opacity, Layers, and Brushes |
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159 | (1) |
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Take a Tablet, You'll Feel Better |
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159 | (1) |
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160 | (4) |
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160 | (1) |
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161 | (1) |
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Create a Halftone Screen Effect |
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161 | (1) |
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Create an Adjustable Texture |
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162 | (2) |
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164 | (1) |
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Add Curved or Custom Distortions |
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164 | (1) |
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Perspective and Distortion |
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164 | (5) |
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Have a Little Perspective |
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166 | (1) |
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167 | (2) |
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169 | (7) |
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169 | (1) |
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170 | (1) |
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170 | (1) |
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171 | (1) |
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Apply a Traditional Photo Filter |
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171 | (1) |
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Simulate Infrared Film Images |
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172 | (1) |
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173 | (1) |
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Grayscale via Hue/Saturation |
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174 | (1) |
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Crunch Down Converted Images |
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175 | (1) |
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Camera Raw Image for Color and Grayscale |
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175 | (1) |
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176 | (5) |
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Drawing the Path or Shape You Want |
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176 | (1) |
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177 | (1) |
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178 | (1) |
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178 | (1) |
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Paint with Shapes and Paths |
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179 | (1) |
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Paste Paths from Illustrator |
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179 | (2) |
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181 | (14) |
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184 | (3) |
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Your Monitor, Your Profile |
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184 | (1) |
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184 | (2) |
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Create a Color-Neutral Work Area |
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186 | (1) |
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Synchronize Color Across the CS2 Suite |
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187 | (1) |
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187 | (3) |
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Simulate Printed Color On Screen |
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187 | (1) |
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Check for Out of Gamut Colors |
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188 | (1) |
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Before and After, Side by Side |
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189 | (1) |
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190 | (5) |
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190 | (1) |
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191 | (1) |
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Convert Colors for the Web |
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192 | (1) |
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Assign Versus Convert to a Profile |
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193 | (1) |
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193 | (1) |
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Locate and Install Profiles |
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194 | (1) |
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Organizing and Finding Images |
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195 | (20) |
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198 | (4) |
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198 | (1) |
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Express Document Delivery |
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198 | (1) |
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199 | (1) |
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Use Multiple Bridge Windows |
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200 | (1) |
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Tile Windows Semi-Automatically |
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201 | (1) |
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Annotating and Organizing |
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202 | (6) |
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202 | (1) |
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Remove Keywords for Multiple Images |
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203 | (1) |
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203 | (1) |
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Annotating IPTC Core Metadata |
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204 | (1) |
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205 | (1) |
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Streamline Metadata Templates |
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206 | (1) |
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Annotate Now, Relax Later |
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207 | (1) |
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208 | (3) |
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208 | (1) |
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Save Searches as Collections |
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208 | (2) |
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Find Photos with Spotlight (Mac OS X) |
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210 | (1) |
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211 | (4) |
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Batch Process Images from Adobe Bridge |
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211 | (1) |
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Archive Camera Raw Images |
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211 | (1) |
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Preserve Bridge Settings for Posterity |
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212 | (3) |
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Printing, Saving, and Exporting |
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215 | (30) |
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218 | (8) |
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218 | (2) |
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Centering a Print on Paper |
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220 | (1) |
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Save Paper on Test Prints |
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221 | (1) |
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Printing Two Or More Per Page |
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221 | (1) |
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Preparing Screen Shots for a Press |
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222 | (2) |
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224 | (2) |
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Where Do Printer Profiles Come From? |
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226 | (1) |
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Images for Other Programs |
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226 | (12) |
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Import Photoshop Documents Directly |
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226 | (1) |
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Control Photoshop Layers from InDesign |
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227 | (1) |
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Import Photoshop Images into Illustrator |
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228 | (1) |
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Trace Photoshop Documents in Illustrator |
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229 | (1) |
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Compress Images Down to Size |
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229 | (2) |
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Enable Previews for Other Programs |
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231 | (1) |
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Store Multiple Variations in One File |
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232 | (2) |
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Save to Unavailable File Formats |
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234 | (1) |
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Saving a Copy of a Document |
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235 | (1) |
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Make Photoshop Backgrounds Easy to Remove |
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236 | (1) |
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237 | (1) |
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Make a Multiple-Page Document |
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237 | (1) |
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237 | (1) |
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238 | (4) |
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Prepare Graphics for the Web or E-Mail |
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238 | (1) |
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Web-Safe Colors: Safe, or Out? |
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238 | (1) |
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Create Animations for the Web |
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238 | (1) |
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Create Slices for the Web |
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239 | (1) |
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240 | (1) |
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Preserve EXIF and Other Metadata in JPEG Files |
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241 | (1) |
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242 | (3) |
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Make Images Look Good on TV |
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242 | (1) |
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Present a Live Slide Show |
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242 | (2) |
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Create a Slide Show to Send Out |
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244 | (1) |
Index |
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245 | |